Eanna Hardwicke's narration highlights the rich emotionality of Rooney's newest novel. Hardwicke's smooth voice shifts to capture every mood--becoming desperately angry, bitter, and frantic yet also achingly tender, patient, and loving--as he performs a story of two grieving brothers. Peter and Ivan's father has died, leaving them unmoored and their relationship strained. Peter drifts through the streets of Dublin between work, his young girlfriend Naomi's apartment, and his ex Sylvia's home, his mind reeling and his voice hollow. His younger brother, Ivan, has lost his passion for chess and is struggling to find his future until he falls for a beautiful, soft-spoken older woman named Margaret. Hardwicke subtly captures the shifting perspectives of each character as he performs a story full of pain, hope, and love.
Pub Date: Sept. 24, 2024
Duration: 16 hrs, 30 mins
DD ISBN: 9781250363909
Publisher: Macmillan Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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