André Santana narrates this queer coming-of-age story with tenderness that will touch listeners' hearts. The story begins with 6-year-old Santiago's arrival in the U.S. from Colombia with his mother and half-brother. As they settle in place, his mother, who is always working, often leaves Santiago to his own devices. As Santiago matures, he discovers and embraces his queer identity while he grapples with intense emotions. As an adult, he reflects on his relationships with his mother and his absent father, as well as his relationships with boyfriends. Santana's smooth voice elegantly conveys Santiago's quiet turmoil. Santana ably portrays the other characters with slight changes in timbre, narrating in Spanish when necessary. His narration helps listeners appreciate this deep contemplation of family, immigration, and queer identity.
Pub Date: June 25, 2024
Duration: 9 hrs, 45 mins
DD ISBN: 9780593867396
Publisher: Penguin Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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