Japanese narrator Yuriri Naka's penetrating narration of this International Booker Prize longlisted audiobook will grip listeners. In her debut novella, Saou Ichikawa, who suffers from a congenital muscle disorder, has fashioned a persuasive denunciation of Japan's cultural insensitivity toward disabled persons. Its main character, Shaka, a 40-something woman who suffers from myopathy and uses a wheelchair and a ventilator, lives in a care facility. She spends her time studying for a university degree and writing erotica for an online publication. Naka precisely evokes Shaka's every thought and experience while beautifully displaying her acute intelligence, imagination, and sensual longing, as well as the frustrations and indignities of her daily life. Naka impressively switches from a soft Japanese accent when portraying Shaka to a robotic English accent when conveying information from apps Sasha uses. This memorable audiobook is a must-listen.
Pub Date: March 18, 2025
Duration: 2 hrs
DD ISBN: 9798217065110
Publisher: Random House Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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