Narrator Alex Allwine performs this domestic thriller involving an inappropriate relationship between Roan, an Olympic-class equestrian, and her controlling father, who is her coach. Friends and fans see Roan as blessed; she's wealthy and beautiful, a skilled athlete, and well loved by her charming father. What they don't know is that her father dictates her every move--as a horsewoman, a high school student, and a daughter. Allwine's youthful tone is appropriate for Roan's story; she enriches her performance by clearly signaling the teen's emotional turmoil and carefully compartmentalized life. She nails Roan's no-nonsense focus when riding, her fear and conflicted feelings when dealing with her sexually abusive father, and her resolve to find a path to a normal life. Details about competitive riding help soften the discomforting plot.
Pub Date: Feb. 16, 2021
Duration: 10 hrs, 30 mins
DD ISBN: 9781797112701
Publisher: Simon & Schuster Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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