Richard Armitage narrates the 20th Anniversary Edition of this sprawling fantasy with elegance. In 1806, the slightly pompous and painstakingly precise Mr. Norrell emerges from rural obscurity to proclaim himself the last true magician in England. As an epic story of the Napoleonic Wars and wizardry unfolds, audacious Jonathan Strange becomes, first, Norrell's pupil and, then, his greatest rival. Armitage adapts his resonant tones to deliver a wide array of regional English accents, most notably the soft Yorkshire cadence of Mr. Norrell. He also deftly incorporates the print novel's extensive footnotes into the audio. This production detail somewhat interrupts the flow but will reward attentive listeners who enjoy the references to Norrell's beloved magical tomes. V.E. Schwab enthusiastically narrates her introduction to the new edition.
Pub Date: Oct. 22, 2024
Duration: 36 hrs, 15 mins
DD ISBN: 9781250384867
Publisher: Macmillan Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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