Austin Ku's narration underscores the dramatic plot of this unique immigrant story. Ku builds tension as the lives of several Americans unfold and collide. Tony, an indefatigable engineer from China, becomes a doorman in New York City to give his family better opportunities. Tammy, his determined daughter, feels the pressure to succeed as a first-generation American. Oliver, a white lawyer, struggles to hide a secret that could destroy his life. Although Ku's character voices can be overly languid for some of the secondary characters, he effectively delivers the emotional impact of their words. Ku's authentic Mandarin accent also adds an international flair to this intriguing saga of fate, coincidence, and the tenuousness of our lives.
Pub Date: May 2, 2023
Duration: 8 hrs
DD ISBN: 9781488228070
Publisher: Harlequin Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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