In THE LONG EARTH, there are millions upon millions of parallel earths that are accessible just by “stepping” into them. When people start migrating to these new earths, it’s not surprising that problems develop. Michael Fenton-Stevens gives an excellent performance, though the less-than-stellar writing drags him down during the first half of the book. His verve finally kicks in when the story focuses on the journey of Joshua Valiennté and an A.I. named Lobsang as they attempt to reach the final alternate world. One does wish that Fenton-Stevens had given the many Wisconsinite characters appropriate accents instead of generic American voices. But in most parts of the story his English accents works well.
Pub Date: June 19, 2012
Duration: 11 hrs, 30 mins
DD ISBN: 9780062189608
Publisher: Harper Audio
Review Posted Online: Jan. 22, 2026
Eric Flint's series has been running for 12 years, and this is the book that started it all. A small mining town in West Virginia is teleported through time and space to Germany during the Thirty Years War, and its inhabitants must learn to survive in this brutal age. Narrator George Guidall brings a quiet gravitas to the often gory proceedings. He uses regional accents lightly, preferring to portray the characters through cadence and the solid pronunciation of difficult Germanic words and phrases. His best moments come in the many scenes of dialogue when the characters banter and shout. Guidall never lets the dialogue get ahead of him, reading deliberately to keep even the most emotional scenes on an even keel.
Pub Date: Jan. 22, 2012
Duration: 19 hrs, 30 mins
DD ISBN: 9781464018282
Publisher: Recorded Books Inc.
Review Posted Online: Jan. 22, 2026
Dick Hill is a talented narrator, beloved for his renditions of the classics and action novels by Lee Child and Michael Connelly. Hill has gravitas; the man knows how to impregnate a pause. Movies by Albert Brooks, such as LOST IN AMERICA and DEFENDING YOUR LIFE, show actors—himself prominent among them—in circumstances so humiliating that they’re hilarious. Having chosen a futuristic setting for his first-ever novel, Brooks has upped the ante. The future is where many of us—all those unsaved—expect the worst. The combination of Hill’s deep voice and Brooks’s dark comic vision pushes hard at the line between what’s funny and what’s only sad. But hang on, because there’s a happy ending, or happyish.
Pub Date: May 30, 2011
Duration: 14 hrs, 30 mins
Publisher: Tantor Media
Review Posted Online: Jan. 22, 2026
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