Edoardo Ballerini convincingly portrays thugs, a torch singer, all manner of gumshoes; he does Hungarians, Germans, English elites. His vocals are spot-on. The wildly imagined plot begins in Milwaukee and then shifts to Eastern Europe. Hicks McTaggart, a former strike breaker, now a private eye, likes to dance and to romance--until he runs afoul of the Milwaukee mob. Much of the circuitous story revolves around his locating a cheese heiress, daughter of "the Al Capone of Cheese." Misadventures abound: An Eastern European fascist motorcycle gang, British spies, and a Klezmer-playing saxophonist add to the mayhem. Now 88, Pynchon has crafted a glorious romp, and the language sparkles. The extravagantly gifted Edoardo Ballerini brings this intricate 1930s noir vividly to life.
Pub Date: Oct. 7, 2025
Duration: 10 hrs
DD ISBN: 9798217172542
Publisher: Penguin Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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