by Tom Sweterlitsch ; read by Brittany Pressley ‧ RELEASE DATE: Feb. 6, 2018
Brittany Pressley narrates this bone-chilling thriller set in 1997 and many possible futures. Shannon Moss, an agent in the secret Deep Time program, recounts her investigation into a multiple murder case in her past. At the same time, she's racing against the destruction of mankind, called the Terminus, which comes closer every year. The plot is complex, and descriptions of deaths are disturbingly graphic. Using a no-nonsense tone of voice, Pressley doesn't always change her intonation when shifting from narrative to the characters' dialogue. Fortunately, Pressley adjusts her vocal range and characterizations to fit the other men and women, specifically their occupations and origins. While the story's timeline may vary, Pressley stays focused on the horrific murders and the hunt for the killer--in whatever time period he might be found.
Pub Date: Feb. 6, 2018
Duration: 13 hrs, 30 mins
DD ISBN: 9780525497769
Publisher: Penguin Audio
Review Posted Online: Jan. 22, 2026
by Orson Scott Card ; read by Orson Scott Card ‧ RELEASE DATE: N/A
Multipleawardwinner Card is one of the greatest practitioners of science fiction; here he delivers a history fantasy of the Wabash Valley circa 1800, a world of hexes and folk magic. This is the first book about Alvin Maker, the seventh son of a seventh son, who has remarkable psychic powers. Card is a very good narrator, expressive and wellpaced. One can hear the excitement of an author as he brings his own welldescribed characters to life. There is one momentary technical glitch, the only slipup in an exemplary presentation. Highly recommended for fiction collections everywhere.
Pub Date: N/A
Duration: 7 hrs
Publisher: The Literate Ear
Review Posted Online: Jan. 22, 2026
by Isaac Asimov ; read by Dan Lazar ‧ RELEASE DATE: N/A
Asimov's sweeping tale of the disintegration and fall of the Galactic Empire has never been more relevant or poignant. In the third book of the original trilogy, Dan Lazar handles the material adequately. He uses his limited range of voices nicely, if sometimes amusingly--he sometimes sounds like a foreigner attempting to mimic American accents. Varying pitch and pacing make for a lively narration, and his reading of a precocious young woman, who is ultimately an important figure, is delightful. Technical and editorial problems plague the title. Hearing Lazar repeatedly mispronounce a word that the text itself explains how to pronounce is very frustrating. Intermittent fade-outs on one channel; inconsistencies when switching sides; and low, rumbling background noise mar the sound quality.
Pub Date: N/A
Duration: 8 hrs
Publisher: Books on Tape
Review Posted Online: Jan. 22, 2026
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