This eighth novel in Pulitzer Prize-winning author William Kennedy's Albany Cycle leaves familiar locales for 1957 Cuba. There freelance journalist Daniel Quinn meets his hero, Ernest Hemingway, and falls in love with a beautiful gunrunner. He's also introduced to the Santeria religion and Changó, a mythic warrior, and finds himself well placed for a world-changing revolution. But it’s not long before we’re back on familiar Albany turf. Kennedy’s own narration is like a lonesome jazz riff—raw and tender. His natural delivery avoids theatrics and proves comforting yet edgy. When he relates significant moments—Bobby Kennedy’s assassination, race riots, Albany politics—we know he’s been there. His representation of Quinn’s aging father, who dominates the second part of the book, is spot-on. A terrific listen!
Pub Date: Nov. 10, 2011
Duration: 13 hrs
DD ISBN: 9781455848966
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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