Willy Vlautin narrates this novel, a series of linked stories, with the gentle twang of a vintage Telecaster. His characters are woven into the settings of the American Southwest, around Las Vegas and Reno, in run-down hotels and casinos. Here, guitar players are buoyed by their love of performing music, even if the audience is small and disinterested. Here, listeners trace the life of an aging musician who's barely getting by but who finds meaning in these difficult places. Living on scraps, he finds himself a kind of mentor to a younger group of players who dream of packed arenas. Vlautin embodies all this with the loving detail of a true artist's ear, bringing these deeply engaging stories to a place of heartbreaking humanity.
Pub Date: July 30, 2024
Duration: 5 hrs, 45 mins
DD ISBN: 9780063346611
Publisher: Harper Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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