Traci Kato-Kiriyama's narration of this Japanese novel is subtle. She successfully keeps the listener in a state of confusion and curiosity in the face of pervasive dread. Ogawa's audiobook unfolds from the point of view of an unnamed woman who notices items in her world going missing, along with people's memories of them and the meanings attached to those memories. The existential implications build as whole concepts disappear, as well. In one affecting scene, the loss of calendars has implications for a birthday party. The "police" of the title enforce the "rules," which are explained as the story progresses, but listeners are left to interpret their true purpose. Appropriately, Kato-Kiriyama's voice doesn't step beyond the boundaries of the nameless narrator, who is experiencing a diminishing world while approaching an ominous ending.
Pub Date: Aug. 13, 2019
Duration: 9 hrs
DD ISBN: 9780525634270
Publisher: Random House Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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