Lynnette R. Freeman offers a driven narration of Lockhart’s latest, the story of Lottie Rebecca Lee, a Black daughter-spirit born to heal her family’s generational trauma. Lottie’s story grows out of the violence that haunted her ancestors—from her enslaved great-great-great- grandmother to her viciously abusive great-grandfather and her grandfather. In an expressive sorrowful voice, Freeman communicates the fear of living in precarious environments, coupled with the weight of not seeing a path forward. Her depiction of Lottie Rebecca, a girl who embodies her ancestors’ rage, hope, and sorrow, is layered, making room for a confused, querulous girl alongside her weary but determined older self. Though not for the faint of heart, this unrelenting story of trauma and redemption will resonate with listeners.
Pub Date: July 4, 2023
Duration: 9 hrs, 15 mins
DD ISBN: 9780063160989
Publisher: Harper Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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