Stander returns with his 11th novel featuring respected Michigan sheriff Ray Elkins, who investigates a beachside mystery while recovering from a recent trauma.

Ray, the sheriff of Cedar County, is back home after a lengthy hospital stay for a gunshot wound. Detective Sgt. Sue Lawrence has been keeping an eye on things in his absence, but he’s anxious to get back in the game, if only to distract himself from his memories of the altercation that caused his injury and the fact that his personal life is in flux. Fortunately for him, there’s plenty going on in Cedar County, especially on the massive private estate at Gull Point. Its owner, art-world bigwig Alice Ingersolle, is hosting a Memorial Day wedding for her daughter, just a few weeks after a severed human foot washes up on the property’s beach: “Small shoe,” as Sue calmly describes it. “Men’s size eight….Let’s get it into the cooler.” Meanwhile, unbeknown to anyone, the bride is carrying on an affair with Gull Point’s property manager,Scott Nelson,who, in turn, is sleeping with wedding planner Jennifer Bidwell;he also recently cooked Sue a romantic dinner of spaghetti carbonara. The bride receives a special gift from her grandfather, painter Gerhard Talmadge, before the wedding: a collection of priceless sketchesthat may have been stolen from Alice’s gallery during World War II. Then, on the day of the nuptials, a powerful storm hits Gull Point, which results in injuries to many of the guests. During the chaos, Gerhard is found dead in the woods. It’s a case that will provide Ray with a much-needed challenge.

Over the course of the novel, Stander employs prose that’s vivid and sharp, as when Jennifer realizes that a tornado has landed in the midst of the reception: “She could see that the people around her were screaming, too, but the sound of their voices was lost in the maelstrom. And then the protective canopy of canvas vaulted upward and away, flying through the air and crashing to the ground.” Equally impressive is the way in which the author unveils important bits of information by slipping, unexpectedly, into different characters’ third-person points of view. The book does take its time to get started, but there’s a reason for the slow accumulation of personalities and odd happenings, as it gives the author plenty of useful material for the murder investigation, once it begins. Ray and Sue, as character types, are fairly standard for the genre: a grizzled lawman and his younger female partner, each harboring an unspoken desire for the other. However, the author intriguingly delves into the psychologies of the various wedding attendees, whose messy lives and conniving ways add darkness and scandal to the plot. Fans of previous series entries will surely enjoy this installment’s classic, mansion-set storyline, but it will also satisfy newcomers to the Ray Elkins universe, as the tangled family history of the Ingersolles does put his and Sue’s skills to the test.

A well-paced and well-plotted mystery-series entry.

This 10th installment of a series focuses on a sheriff with a new case rooted deep in a Michigan county’s history.

When the remote farmhouse that once belonged to his dead predecessor, Orville Hentzler, goes up in flames—its basement stockpile of guns and ammunition providing an explosive finale—Cedar County Sheriff Ray Elkins is tasked with discovering why. He knows that it’s arson, probably just some bored teenagers or a closet pyromaniac. Then Hentzler’s grave is vandalized. “When he was alive, people either loved him or they hated him,” remembers the cemetery’s groundskeeper. “He and his boys, you know, his deputies, they liked to crack heads....But he’s been gone awhile.” Could these incidents have anything to do with a hippie commune that Hentzler ran out of town back in the 1960s, the buildings of which were also subsequently and mysteriously burned down? Two duck hunters later report a cackling gunman shooting at their decoys with an automatic weapon. Soon after, a toddler is discovered abandoned in a snowy ditch, and the child’s mother is found dead, lying in her own house. These incidents—their variety and strangeness—demand some creative investigation from Ray and his partner, DS Sue Lawrence. All clues seem to suggest that these crimes are connected to the events of 40 years ago, but most of the people involved are long gone. What happens if a killer comes to town hoping to target Hentzler only to learn that he’s dead? Who will the killer go after then? Stander’s (Gales of November, 2016, etc.) prose is controlled and sparse, evoking both Ray’s deliberative personality and the midwinter Michigan landscape: “He lifted his head and watched as the truck quickly disappeared into the swirling snow. Then he looked around. The mangled remains of a snowmobile were mired in mud just below him in the ditch.” While certain aspects of the plot are a tad predictable, others are wonderfully unexpected, and the author’s practiced pacing should keep readers engaged throughout. Fans of the series should be pleased with this engrossing episode.

A well-told mystery that involves Midwesterners forced to grapple with their town’s past.