Photo Credit: Michael Cairns
Genres
  • Fiction & Literature
  • Mystery & Crime

Alison R. Lockwood

Alison grew up on the mean streets of Wooster, Ohio, where the largest minority was Amish. She graduated from Wittenberg University with a degree in creative writing and journalism. “All the President’s Men” inspired her to become a reporter, but she didn’t last long on the job. After covering a murder trial, a Teamsters’ strike and the hit-and-run deaths of three children, she turned to fiction. Her novel about a reporter, THE ARSONIST’S LAST WORDS, won the Kirkus Star.

For years, Alison worked as a marketing editor for Harcourt Brace Publishers,  ...See more >


Alison R. Lockwood welcomes queries regarding:
Agent Representation
Events & Signings
Film Rights
Foreign Publication
Media Coverage
Networking
U.S. Publication

CONNECT WITH THIS AUTHOR



"startlingly innovative"

Kirkus Reviews


AWARDS, PRESS & INTERESTS

Kirkus Star: The Arsonist's Last Words


BOOKS REVIEWED BY KIRKUS:

MYSTERY & CRIME
Pub Date:
ISBN: 978-0985535803
Page count: 308pp

An elegiac novel that deftly combines elements of investigative journalism and crime fiction.

This debut effort follows the morally wrenching aftermath of a major urban catastrophe in a way that’s eerily evocative of the 9/11 attacks. A massive fire consumes the Parramore Plaza in Orlando, Fla., killing 115 people and emotionally scarring untold more. Marko Abissi, a recently fired janitor, immediately falls under suspicion, as he all too perfectly fits the profile of an arsonist: He has a history of violence and a personal life crumbling into disarray. There are also rumors that he has ties to the Middle East. Juni Bruner, a grizzled veteran reporter, tirelessly investigates every lead, desperately trying to make sense of the despairingly senseless. The book’s startlingly innovative structure powerfully captures the city’s madness in response to the disaster. Instead of a traditional novel told from a single perspective, the book is more like a heap of archival documents—including newspaper articles, personal correspondence, transcripts of telephone conversations and even a worker’s compensation report. The reader becomes a proactive participant in the investigation, poring over the dark mystery’s disjointed evidence. From the outset, the novel reveals that Bruner won a Pulitzer Prize for her ace reportage and that she ultimately took her own life, leaving only a 200-page manuscript as a clue to her inconsolable sadness. Her spiraling descent mirrors the city’s frenzied chaos, its people numbed by depression and enlivened by the urgency to assign blame. Although the climax is fairly predictable early on, it’s still a poignant conclusion to a stirring tale. It’s a testament to the author’s skill that the narrative remains a seamless whole, even as it unfolds in fractured parts.

A moving parable about the wounding effects of human tragedy and the collateral damage of the search for moral truth.