Connell J. J. Chambers

Connell J. J. Chambers, poet, was born in Dublin, Ireland into a family where literature and poetry were an important part of daily life and where he honed his passion for the written word. Attending Ballinafad College in the province of Connacht, he studied the writings of the mystics of the Middle Ages and developed a kinship with Irish Bards. In this rarefied atmosphere, his poetic voice and gift of the spoken word took root.
Travelling extensively throughout Europe for several years, studying the arts, and spending time in the renowned  ...See more >

Connell J. J. Chambers welcomes queries regarding:
Agent Representation
Events & Signings
Film Rights
Foreign Publication
Media Coverage
U.S. Publication


"Alarming and unsettling; readers should brace themselves for a riveting chronicle of extreme psychopathic illness-and lock their doors."

Kirkus Reviews


Favorite author Shakespeare

Favorite book AUTOBIOGRAPHY, Rudolf Steiner

Passion in life The language of poetry, Shakespeare, Universal truths, Philosophy, Music and the arts, Photography


Pub Date:
ISBN: 978-0985932237
Page count: 370pp

Poet Chambers’ debut memoir is a harrowing account of a two-year trial with an obsessed, predatory stalker.

It was at Christmastime in Brooklyn when the eccentric, divorced author met Rachelle Richards, a manic, manipulative Australian New-Age publicist on a journalist visa, who promised to get the author discovered. Both outspoken and headstrong, Chambers and Rachelle initially locked horns, and Chambers soon realized that the publicist was mentally unstable. He tried to placate her, which only triggered what he characterizes as her extremely violent psychopathic temperament. She shared revelations about a horrifically abusive childhood, which explained her instability, yet the author dangerously ignored his better judgment and the numerous behavioral red flags and compassionately attempted to find common ground with his “poetic soul mate” (Richards’ characterization). Whether mildly enamored or simply curious about her international connections and ability to get his poetry into print, Chambers freely admits to having recognized and disregarded Richards’ potential volatility after she boasted to him about “the power to make the whole world love you or I can destroy you in a matter of seconds.” Richards’ obsessive pursuit of the author and his increasingly panicked avoidance of her soon expands to nightmarish proportions à la Fatal Attraction. By the time Chambers realized the full extent of Richards’ psychopathic delusions, it was far too late. She embarked on the relentless, pathological victimization of the author. She harassed him at his home, impersonated his fiancee and threatened his life. A restraining order had no effect. Straightforward and honest from beginning to end, the author has written a compulsively readable memoir. And the conclusion offers no easy resolution; while Richards’ grim persecution of Chambers ends abruptly, the entire ordeal proved unshakable and haunting.

Alarming and unsettling; readers should brace themselves for a riveting chronicle of extreme psychopathic illness—and lock their doors.