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Elena Kravchenko

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I grew up in Kyiv, Ukraine at the end of Soviet-era, small enough not to fully understand the changes that swept over my country but big enough to remember before and after. I recall my father asking me, ‘What is the capital of your country?’ ‘Moscow’, I said. His eyes filled with bitterness. ‘It’s Kyiv. Kyiv!’ That was not true, I thought; that was not what they taught us at school. But I felt too small to argue with him.
After Lenin’s portrait was taken down in our classroom, my years in school I remember mostly for feeling self-conscious about being tall, in fact, the tallest girl in the school. Hiding, spending much of my time at home, I read books that took me to worlds I could only dream of visiting. Then at university the coin flipped and being tall and skinny was suddenly appreciated. I changed from campus to distance learning, and left for Paris on a one-way ticket to become a model.
There were highs and lows, but mostly there was a lot of traveling. I lived a peripatetic life in many capitals on all the continents. Some cities became home for a while and some I just passed through.
The modeling years finished and I completed my Masters in art and business. I worked for a time at Sotheby’s in London. The city was a cosmopolitan hub where every one of my friends came from a different corner of the world, with vastly different backgrounds, stories, pursuits and visions of tomorrow. I felt that I fitted right in with this motley band of gypsies.
Every year, I went to my husband’s summer house in the north of Sweden. The pine trees and birches, the soft, bright green moss, the smell of dry grass, the harebells, and red clover in the meadow, all reminded me of my grandparents’ home where, as a child, I was sent during the long summer months. But it was only when my first son was born that I finally felt the true meaning of home. Home was in my heart; it was in front of me. In 2020 we left London and settled in the countryside Chilterns, where I began a new chapter of my life, planting my dream garden and working on my next book.
The novel Breathe is based on the true story of Thomas and Thisbe Ander.

BREATHE Cover
THRILLERS

BREATHE

BY Elena Kravchenko • POSTED ON April 28, 2021

In Kravchenko’s debut novel, a man seeks to locate his friends in the aftermath of the 2004 tsunami.

Carl Lundmark is a young Swedish man living in London who’s perpetually single and unhappily works hard at his hedge fund job to distract him from the emptiness of his life. Then he hears about an earthquake in the Indian Ocean on the news—a freak event that kicked up a tsunami that’s thought to have killed thousands in Southeast Asia. Carl’s recently married best friends,Kristoffer and Eva Berg, are in Thailand, which was one of the worst-hit areas: “Carl had exchanged texts with Kristoffer three days ago, or maybe four. They had landed in Bangkok, Kristoffer said….It was their honeymoon, for God’s sake. How could anything happen to them?” He manages to find the name of the resort where his friends were staying, only to learn that it was “all but obliterated” by the tsunami, and that Kristoffer and Eva are among the missing. He makes a spontaneous decision to fly to Thailand to try to find them, although he has no idea how he’ll do so. As Carl encounters the post-tsunami chaos on the ground, Kravchenko offers pre-tsunami stories of Kristoffer, Eva, and other tourists as their fates pull them toward the unforeseeable calamity. The prose is taut and vibrant, pulsing with Carl’s tense nervous energy: “Hospital staff…lifted a motionless woman from a stretcher that had been laid on the asphalt, and placed her on a trolley. Her hair and face were covered in dry blood and mud, her eyes closed, grimy arms spread, dangling.” The story manages to successfully balance the specific horrors of the 2004 tsunami with the personal lives of Carl, Kristoffer, and the others, resulting in a consistently surprising tale of friendship that delves into Swedish identity and questions of how best to live. There are a few moments of cultural analysis that feel clunky and didactic, but for the most part, the story is a page-turner with high psychological stakes.

A well-crafted disaster novel that packs an emotional wallop.

Pub Date: April 28, 2021

Page count: 288pp

Publisher: Threesixty Publishing

Review Posted Online: March 12, 2021

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