PRO CONNECT
A Look Back on My Fiction and Poetry Writing Journey
As an author of The Mind novel and Freedom poetry book, I am taking a look back on my fiction and poetry writing journey. I have written two books with the first entitled The Mind that is a fiction novel. I also compiled Freedom, a book of poetry. An ode in the Freedom book relates to the freedom from slavery of African Americans here in the United States.
My fiction and poetry writing journey to become an author began with a longstanding history of writing poetry. When I think about who inspired me, I absolutely have to mention Phyllis Wheatley. For instance, I got familiar with her at an early age by gaining insight from her poetry. There is deep meaning in her poetry. That enlightened me. In addition, with both of us being black, this similarity made her writing interesting.
At an elementary school event, I dressed like Phyllis Wheatley since she was an easy choice with all the inspiration she had given me. Wearing a white apron and contrasting dark purple dress, I got in line with my fourth grade classmates. We were all dressed as our favorite historical figures and on our way to celebrate the United States Bicentennial in 1976. What a joyful day it was because we were imitating the giants of the past though we were only in fourth grade.
More Poets on the Journey to Write
Next, I was on a quest to read more poetry because I understood the poetry. I discovered books which compiled works of poets, for instance, Langston Hughes, James Weldon Johnson and Maya Angelou and many more. That exhilarated me. In addition to Phyllis Wheatley, Maya Angelou definitely influenced me as a writer of poetry and through her eloquent speech. As well as with great significance, she spoke poetically. I find that these poets from the past have provided an example of excellence. Their art has provided a basis which to compare, when we recognize high artistic quality.
My Works
I am an author with two books behind me. The Mind novel is about an African American woman, Sheila, who is struggling with hearing voices. She finds out many shocking truths from her past with the assistance of one of her friends. Her friend Jonathan is right by her side during her transitioning to becoming well and whole from depression. She becomes reacquainted with her close friends. This book of fiction has given me the opportunity to be the maker of my own storyline, characters, and their own captivating conversations.
Here is a recent review for The Mind that I received in August 2021 from Kalyan Panja of BookMarkks (https://bookmarkks.blogspot.com/2021/08/book-review-mind-gloria-foster.html).
Today I bring you my impressions of The Mind, a novel by Gloria Foster, a game of mirrors where everything can be real or illusory at the same time. For me it has been my first approach with this author and I have had a great time reading this book. It is true that when I got this novel, I was expecting something else, but the path it has taken me has pleased me and above all, it has surprised me.
We are going to attend a reading that is not at a frenetic pace, but it is not necessary, since the author combines a plot that puzzles and that you want to know more about. The plot has an atmosphere that will make us relive the childhood of Sheila Leclaire, an investment banker who lives in Sommerville, Virginia.
Haunted by voices of events that occurred in her childhood, we find Sheila is a tenacious and we could even say obsessive woman. In Sheila's story real things are mixed, dreams, and a lot of imagination. The same author gives us the key.
The book is seasoned with an evening dose of social denunciation (no more concrete so as not to spoil, but if you have read it you will understand me perfectly) and takes place in Sommerville, which becomes a silent character.
Throughout the novel we will gradually discover the world of Sheila, all the people around her, who were not many, and how each one of them seems to tell something. And it is that the author knows how to attract attention and that you devour the story.
The plot will catch you from those first moments in which we will meet Sheila, and we will not be able to stop reading, because you think that you are going to read a couple of chapters turn into 14, since you are hopelessly trapped in that plot that Gloria has created trying to find the meaning of everything that happens.
Together with Sheila we will get to know other characters who, although they do not have a leading role, contribute important things to the story. Above all, they help us understand Sheila's personality.
From the first moment we enter a plot that takes us from one event to another. Gloria Foster gets us to devour the book, because you will want to know what is behind Sheila’s past. Through chapters titled with simple language and constant dialogues we find out about her life.
This is, broadly speaking, the premise of a novel that articulates its plot in a total of fourteen short chapters. Many of these short chapters’ end with such an unknown. In this it seems to me that this author is one of the best. And be careful, as I said, the ending is quite coherent, that is to say that it is not that complicated to find out.
Starting from these premises, the novel continues in a tight way. The writer is very skilled in gradually revealing the details that allow the reader to delve into the enigma. There is no blood, there are no serial killers and there are no monsters. Yet, the sense of unease immediately grips the reader.
The Mind has a story that hooks, not only because of the plot but also because of the way it is told, very well defined by its author that it makes it easy for you to read it. And in this book in particular it is the ravines and labyrinths of the human mind, its unpredictability, that generate in the reader the sense of estrangement.
We are constantly on the borderline that separates the rational from the irrational, sanity from madness, the most reassuring explanation from the most fearful one. Perhaps what has convinced me the most about the novel is how it is narrated.
The use of an omniscient narrator has made me distance myself a bit from the characters and see everything as a spectator. The characters, barely have outlined the lines that surround them, but in this case it is not necessary to create tension, because with the brief brushstrokes offered by each of them is enough for us to have an idea of the role they are going to play.
Of course, we must recognize that The Mind, does not have a frenetic rhythm, but does manage to keep the reader continue reading one more chapter. Drawn with a prose without frills and an agile narrative, whose tension is correctly dosed, Gloria Foster has concocted a misty story.
The plot leads us to think of a simple story, but as we move forward the doubt is forged, creating an ambiguous residue. It does not let you take anything for granted, small drops that make you believe that there is much more, the author's pen. It is simply intriguing and easy to follow but we are not talking about a light reading.
Education
I have a Bachelor of Arts degree in Mathematical Sciences.
“A psychological tale with a messy plot.”
– Kirkus Reviews
A collection of poetry focuses on freedom.
Foster (The Mind, 2017) announces her theme in the title of her new volume of poetry. Each piece, she writes, “actually relates to the overall aspect of freedom.” Sometimes, that relationship is crystal clear, as in the collection’s opening poem, “Ode to Freedom,” which begins “Captured from Africa and enslaved here to / the end. Oh, but now, my ancestry has been / mend. / In longing to break the bondage, runaway / slaves became free. The contentment and / delight of freedom are so exhilarating to me.” Here and elsewhere, the poet’s language is nonstandard, but there’s no denying the energy behind her words, and at its best, her verse is bracing. But at other times, her works’ relevance to her central concern is less obvious. For example, the brief piece “Know” is quoted here in its entirety: “Steal away to / Inhibitory acts. / Steadfast to / Current status. / Eliteness. / Power.” It’s not entirely clear what “inhibitory acts” have to do with freedom—or what they are, for that matter—but more importantly, “Know” is so gnomic as to be almost nonsensical. While brevity is the soul of wit, many of Foster’s poems would be stronger if they were just a little bit longer. The same thing might be said of the book itself. Mill’s On Liberty runs past 47,000 words. Jonathan Franzen’s Freedom checks in at over 550 pages. Foster’s thin volume of the same name is just over a dozen pages. Combine this with the fact that more than a handful of her poems barely stretch past a dozen words, and readers will likely be left with the feeling that the author should have written a few more pieces—and perhaps some lengthier ones. Foster clearly has something important to say; she should feel free to write more in the future.
A spirited and promising volume of poetry.
Pub Date:
Page count: 16pp
Publisher: Self
Review Posted Online: April 22, 2019
In this novel, a group of close friends faces a variety of marital troubles.
Sheila Leclaire’s friends are not doing great. Allie’s marriage has fallen apart after her husband’s infidelity. The breakup has shaken Valencia’s confidence in her own new marriage. She loves her husband, with whom she just eloped, but how can she be sure he won’t betray her at some point in the future? Mary’s marriage is undergoing a different sort of crisis. She and her husband definitely want to have kids, but she’s just learned from a doctor that she isn’t able to conceive. As the core of the group, Sheila is doing her best to provide sound advice and a supportive shoulder for her friends, especially the struggling Allie. “Allie was a lot of things,” Sheila narrates. “She was intelligent, brave, understanding, strong, fun, and bold. But she was also very wise. She wasn’t born smart, but she learned her lessons through dealing with life. She walked down some difficult paths and even after she would lose the battles, she did not let it stop her.” At the same time, the story explores Allie’s origins, particularly the love affair between her parents that led to betrayal, addiction, and ultimately death. The question is: Can love end any other way? At its best, Foster’s prose is urgent and magnetic, as here where Valencia starts to suspect her husband is cheating: “She felt a shiver running down her spine; she had goosebumps. At that moment, she radiated heat. She rushed to look at herself in the mirror. Clearly, she was scared to death. The thought had taken over her mind, and she refused to get it out of her head.” But in this sequel, the author is a chronic underwriter: She underexplains her characters’ situations and underdescribes their environments. Characters eat unspecified “food.” In one section, when Allie is breaking down in front of Sheila, it only becomes clear they are sitting in a restaurant seven pages into the scene, when Sheila motions for a waitress. Readers will spend so much time trying to figure out what is going on that the pleasures of the larger plot will be frequently stifled.
A dramatic, intriguing but uneven tale about love and female friendship.
Pub Date: Feb. 7, 2022
ISBN: 978-1-73722-446-4
Page count: 216pp
Publisher: Global Publishing Solutions, LLC
Review Posted Online: Dec. 24, 2021
A debut novel analyzes how the mind processes childhood trauma and examines its effects.
Sheila Leclaire is a successful black investment banker in spite of the hallucinatory voices she has heard since she was 6 years old. Intrusive and menacing—“You ain’t worth anything! Die!” —they leave her feeling “stalked and fearful.” One night, in a futile effort to block them out, she seeks refuge in drinking and is hospitalized for a blackout. The doctors release her with a recommendation of outpatient therapy to uncover the source of the voices. Feeling vulnerable and alone, she temporarily moves in with Jonathan, her best friend from work, who lends moral support. Sheila also has an upcoming reunion with old friends to look forward to in a couple months. Seeking answers to fill in the gaps from a childhood she can’t remember, she reaches out to her friend Valencia, who reveals a long-held secret. At age 4, Sheila wandered away from her friends and was randomly beaten unconscious by a group of local boys. Her family and friends hid this from her in an effort to protect her from lasting trauma and harm. But it’s possible that this secret may have given birth to the voices. Sheila hopes to achieve healing through therapy in time to enjoy the reunion and perhaps for her friendship with Jonathan to evolve into something more. In her energetic series opener, Foster certainly delivers an intriguing premise and addresses timely and important issues. According to the publisher’s website, she envisions Sheila’s journey as one in which the protagonist “learns to renew her mind daily if she is to reach her destiny.” But Sheila’s odyssey becomes confusing and cluttered by various story threads; a subplot about her friend Allie’s being raised by her grandmother is needlessly inserted. In addition, this short novel is sometimes padded: “I reached for my handbag. I opened the car door.” And a final time jump robs readers of any type of resolution.
A psychological tale with a messy plot.
Pub Date: Oct. 10, 2017
ISBN: 978-1-62999-225-9
Page count: 64pp
Publisher: Creation House
Review Posted Online: Nov. 17, 2018
Day job
Publisher
Favorite author
Maya Angelou
Favorite book
Cry, the Beloved Country
Favorite line from a book
"No man is an island entire of itself; every man is a piece of the continent, a part of the main...any man's death diminishes me, because I am involved in mankind. And therefore never send to know for whom the bell tolls; it tolls for thee." John Donne
Favorite word
Love
Hometown
Joliet, Illinois
Passion in life
Owner of my business
Unexpected skill or talent
Making recipes
THE MIND: Page Turners Awards Screenplay Award Finalist, 2021
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