PRO CONNECT
Ian Ginn builds stories to travel. His debut novel grew out of SALIGIA-7, an immersive transmedia project he created in 2011 with backing from the Creative Industries Fund NL and Dutch public broadcaster VPRO, as part of NPO 3’s TV Lab. Its live events, social narratives and broadcast became a testing ground for the storyworld, and for a series of novels.
The first is SERUM 8, a Kirkus-starred neon-noir thriller set in a surveillance-controlled Amsterdam in 2045, where a corporate state harvests the unlived years of its underclass to produce a life-extension serum for the elite. For readers of Blake Crouch, Michael Crichton and Paolo Bacigalupi’s 'The Windup Girl', it opens a trilogy that moves across a corporate-run Europe; Book Two is scheduled for the end of 2027.
Between SALIGIA-7 and SERUM 8, Ginn co-created, lead-wrote and showran the ten-part Dutch crime drama ‘Keizersvrouwen’. Netflix snapped up a licence to global streaming rights within weeks of its late-2019 broadcast. Released worldwide as ‘Women of the Night’, it drew an estimated 38.4 million viewing hours between 2020 and 2024, more than any other Dutch-produced series on Netflix. Six years on, it still drew over a million hours in the first half of 2026. The story isn’t finished. Based on the true story of the madam behind Amsterdam’s leading five-star escort agency, a planned three-season arc follows her rise from reformed bad girl to Europe’s most notorious madam and fixer to the criminal elite. Under the title KING’S WOMEN, worldwide format and remake rights are available, along with spin-off and publishing rights.
Before SALIGIA-7, Ginn made holograms, led an interactive studio at Philips, co-led the venture-backed company that took Blender 3D to market, and produced film and television at one of the Netherlands’ leading independent production companies. Born in London, he has been based in Amsterdam since 1986. The full story of SERUM 8, KING’S WOMEN and SALIGIA-7 is at ianginn.com.
“[Ginn] brings cinematic worldbuilding touches to a rich narrative that combines the elements of dystopian SF, political intrigue, splatterpunk, and street-level crime thrillers.”
– Kirkus Reviews
In Ginn’s SF novel, citizens of 2045 Amsterdam begin to succumb to a frightening syndrome that turns them into flesh-hungry zombie-like maniacs.
Europe in year 2045 abides under the “Authority,” a cabal of corporate service-providers that seized power after widespread disasters and social breakdowns stemming from climate change–generated fires and superstorms in 2028. The “Habitable Band” of the ravaged continent contains fortress-like cities and biodomes. By Authority decree, inhabitants are divided into the privileged and valued “Us” class, the middle-ground “Servs,” and the merely tolerated “Unders.” Amsterdam is a technologically advanced showcase city in which the Us are rewarded with life-extension serums from AgeFree, one of the mighty corporate brands. In the shadows, AgeFree’s mysterious founder, Zeno Alkehest, obtains and upgrades serums by abducting citizens (preferably Unders, but all levels are fair game), extracting certain body proteins, and then releasing the unwilling donors, who are chemically rendered amnesiac. The eighth iteration of the elixir has the side effect of physically and mentally degrading users, turning them into bleeding, psychotic maniacs hungering for human flesh. Alkehest pressures politicians, the police, the media, and the dreaded Security & Intelligence Service to contain and cover up the spreading horrors. Apprentice street gangster Arief Teheri, who is of Moroccan descent, gleans the awful truth and teams up with an Us rebel schoolboy/hacker named Jay and an Ethiopian named Yaba, to expose AgeFree’s crimes. Ginn’s background includes TV production and interactive media, and he brings cinematic worldbuilding touches to a rich narrative that combines the elements of dystopian SF, political intrigue, splatterpunk, and street-level crime thrillers. The narrative name-checks real-life author Naomi Klein and her Bush/Cheney-inspired The Shock Doctrine (2007) to inform the novel’s incisive portrayal of predatory capitalism (“People were there to be used up, then discarded”) as CEOs take full advantage of a crisis to maximize influence and profit. A late-stage revelation takes the material into borderline occult territory—and even this works.
A meaty, violent SF/horror thriller that has a lot to say about mad science, inequity, and social decay.
Pub Date: June 15, 2026
ISBN: 978-9083543314
Page count: 576pp
Publisher: Hubbub Press
Review Posted Online: Sept. 24, 2026
Kirkus Reviews Issue: Dec. 1, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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