Killing Vincent is meant as a historical analysis and exposé, attempting to continue exploring the key questions that TIME magazine asked in its October 31, 2011, cover story: “Who killed Vincent van Gogh?” and “Was van Gogh’s death really a suicide?”? I have attempted to answer both questions. This work is not meant as an academic treatise or dissertation, with every observation, thought, and detail requiring documentation. It is only an attempt as an expose’, to seek the truth of what really happened on the day Vincent van Gogh was mortally wounded, and to best connect all the missing “dots”. In the process, I will try to fit the best murder scenario into what little is really accepted, and why he was murdered… significantly changing art history.
I was Vincent’s ear doc in the sense that I read all of his many extant letters and used his, almost daily writings as if I was taking a medical history from him. He often wrote about how he was feeling, or what medical problems he was having. So, I made the diagnosis of inner ear vertigo or Meniere’s disease from his handwritten clinical history describing his “attacks” as “vertige”. This was his own written description of his recurrent, intermittent malady. an inner ear malady and not epilepsy. Thus, I was, diagnostically at least, in effect, “his ear doctor”.
Dr. Arenberg was involved in making the diagnosis of Meniere’s disease and not epilepsy in Vincent van Gogh in 1990 to account for his violent “attacks” and hallucinations. He was an ear doctor and a distinguished ear surgeon and Neurotologist. He was an innovator in his field of inner ear surgery for Meniere’s disease with several medical devices/instruments bearing his name. He also had 12 US/International patents issued. He was an internationally recognized expert in inner ear hearing and balance diseases. Meniere’s disease, endolymphatic hydrops(ELH) and Electrocochleography (ECoG) for diagnostic and intra-operative monitoring of Meniere’s Disease and endolymphatic hydrops (ELH) surgery were of very special interest and focus during his medical career. He also co-innovated the ECoG inner ear intra-operative monitoring for surgical management of Meniere’s disease and endolymphatic hydrops. He created IntraEAR, Inc, a medical device drug delivery system entrepreneurial endeavor utilizing three of his own patents. IntraEAR, Inc was subsequently sold in 2000 (with a 3X profit for investors) to a Silicon Valley Pharma, before moving to NY for 10 years. In NY, he started a boutique Precious metal hedge fund. In this 3rd major career change, he was the portfolio manager. His fund resulted in a 10-year trading track record with a compound annual return in excess of 80% per year. This was achieved by aggressively trading options, futures as well as all mining stocks and Canadian junior exploration mining companies. He has retired and now devotes his time and efforts to his family, his German Shepherd, writing of several non-medical books, the arts, and non-profits.
The first major goal of this project is to determine if Vincent van Gogh’s death was really a suicide as legend would have you believe, possibly an accident, or a likely murder and cover-up. So very little is indisputably known today about his mythical death, yet so much is well known, by comparison, about his life. If I can convince you that Vincent did not commit suicide, then the second major goal becomes a critical evaluation of all the persons of interest in this epic cold case. The third major goal is to solidify the case against suicide with additional, modern forensic evidence: simulations of the day Vincent was injured using the same antique model gun, reenactments of firing that gun with vintage black powder bullets, and then a detailed forensic analysis of the signature powder burn that the gun would have left behind in FBI clear ballistic gel that 100 percent consistent with human tissue. All of the new forensic studies are documented in photos and videos.
“the case [Dr. Arenberg] presents is deeply researched, utterly compelling, and often convincing, a feast of analysis to satiate fans of the artist and others who enjoy true crime and fine art” – Kirkus Reviews
TRUE CRIME
LOVE AND MURDER
BY Irv Arenberg • POSTED ON Aug. 1, 2023
Arenberg offers a comprehensive look at the last days of the brilliant artist Vincent VanGogh’s life, with new insights into the possibility that he was murdered.
The author, a retired surgeon, returns to his passion project in the second volume of a trilogy that began with Killing Vincent: The Man, the Myth, and the Murder(2019). He again tackles the untimely 1890 death of Van Gogh at age 37, bringing a physician’s exacting standards to his unified theory of the artist’s death by gunshot (generally accepted as a suicide). The work is far from a biography, although the early chapters are devoted to various phases of the artist’s life before shifting to its main focus: his last 70 days. Readers of narrative-based true crime will find pleasure in the early chapters, where the author takes ample time to settle into the geography and history of his subject matter, but the book really gains momentum when the author sits down with the “accepted facts” of Van Gogh’s death and works to dismantle any scientific basis for the notion of suicide, beginning with the artist’s state of mind; he makes his arguments with sound forensics. Such an assertion is a significant one on its own; some in the art world, he notes repeatedly, consider it “blasphemy.” The author pushes forward nonetheless, setting the stage for his theory that Van Gogh was shot and killed by a man he once trusted. He provides a list of suspects before delving into their relationships to the artist, their potential motives, and their alibis (or lack thereof).
The book has some fun contextual detours along the way, such as an account of how the alleged murder weapon was found decades after the crime, just as a major motion picture about Van Gogh—Lust for Life(1956)—was coming out. After a thorough examination of several competing theories, the author follows with a blow-by-blow account of the day of the alleged crime. The book follows a traditional academic structure, which is comforting, if sometimes a bit staid. Arenberg’s commitment to this research-based style is admirable and engaging, though occasionally repetitive. A few surprising sources of intrigue, such as the complicated relationship between Van Gogh and his personal doctor, may remind readers of the fabled rivalry between Antonio Salieri and Wolfgang Amadeus Mozart. The book’s portrayal of the heart-wrenching love between Vincent and his equally ill-fated brother, Theo, is also compelling. As the author works to refute several theories of Van Gogh’s death, however, one may wonder about such exclamatory, single-minded sentences as “Suicide… No! Murder… YES!” Nevertheless, the case he presents is deeply researched, utterly compelling, and often convincing. Some wonderfully cinematic passages depict the beauty of rural France decades before the Great War, an illicit love affair, and, of course, Van Gogh’s inimitable artistic genius. It all makes for a deeper, richer read than many other research-based texts offer.
A feast of analysis to satiate fans of the artist and others who enjoy true crime and fine art.
Pub Date: Aug. 1, 2023
ISBN: 979-8860572386
Page count: 550pp
Publisher: Independently Published
Review Posted Online: Oct. 25, 2023
Love and Murder: The Last Days of Vincent van Gogh
Awards, Press & Interests
LOVE AND MURDER: THE LAST DAYS OF VINCENT VAN GOGH: NYC Big Book Award, 2023
ADDITIONAL WORKS AVAILABLE
Finally Love (8 Part Drama Mini-Series)
Auvers-sur-Oise, France, July 29th, 1890: Whispers are heard that a foreign painter has taken his own life, or so it was claimed as he lay on his deathbed. This painter is none other than Vincent van Gogh, then an unknown artist, and the real truth of what actually happened that day is far stranger and more dramatic than the suicide myth that has been falsely passed on for generations. The key to understanding this tragedy is to look to van Gogh’s last 70 days, the role of Marguerite Gachet and the events that led Vincent to find, finally love… a love he sought his entire life… a love that, once found, ultimately led to his premeditated murder.
After the infamous “ear episode” and a year-long self-imposed stay in a mental institution, Vincent has arrived in Auvers-sur-Oise to focus on his painting and a new life without his previous demons. It is in this small artistic community that he enters the medical care of a widowed homeopathic doctor, Dr. Paul Ferdinand Gachet, whose household reveals itself to be more of a “mad house” than where the painter has just taken leave. In fact, Dr. Gachet’s home takes “dysfunctional family” to another level: The doctor rules with an iron fist, his teenage son Paul Jr. is a strange, immature young man prone to violent bouts of jealousy and narcissism, and his housekeeper's daughter, Louise-Josephine, is in truth the doctor’s secret illegitimate child who is forced to remain eternally in hiding from the entire community. Yet within this unstable family, there is one shining light: Dr. Gachet’s young daughter Marguerite Clementine Gachet, a slightly naïve girl filled with hopes, dreams and a unique yearning to take everything the world has to offer. In her path to escape her father's total control of her life, Marguerite embarks on a mission to becomes van Gogh's one true love. A mutually passionate and highly secretive romance erupts between them, one that will ultimately change both their lives forever.
This Limited Series follows Marguerite and Vincent’s brief 70-day forbidden love affair before his murder. This scandalous romance risked her family’s reputation… a risk that they were not willing to accept, even if it meant that the only solution was murder. As their love affair spirals towards its tragic conclusion, the viewers will learn the “persons of interest” and “clues” involved in van Gogh’s untimely death. And it is through the eyes of Marguerite, Vincent's naive lover, (and her bastard-sister Louise-Josephine) that we explore one of the most significant and previously unknown “cold cases” in art history, one suppressed for a century, as we finally reveal the truth of who was actually responsible for the death of the iconic Vincent van Gogh, and how this crime affected art history forever.
Unlike other depictions of van Gogh’s life, the true focus of our story is Marguerite, Vincent’s one and only true love. The show is the coming of age story of a girl learning to find love, understand guilt and responsibility, and finally break free from the very abusive prison that she calls home in order to head down a path towards her own redemption.
Finally Love is the timeless story of the unknown heroine in the van Gogh saga, and how Marguerite Clementine Gachet, a woman living in a male dominated society in which she had no rights, no property, no vote and no social status of her own, faced unbelievable challenges and made grave sacrifices in order to shape the history of the modern art world and secure Vincent van Gogh’s artwork and his legacy for all of us.
Killing Vincent: The Man, The Myth, and The Murder
On July 27, 1890, Vincent van Gogh came stumbling into his room in the Ravoux Inn, in Auvers-sur-Oise, France, bleeding from a wound in his abdomen. Thirty hours later, Vincent was dead. THe common myth, which has prevailed for over one hundred years, is that the "mad" artist shot himself in a wheatfield after suffering from years of unhappiness and "insanity". But is that what really happened?Killing Vincent is meant as a historical analysis and exposé of the most dastardly murder of Vincent van Gogh and the19th century, nefarious cover up of the world's most iconic artist's death. This is the biggest cold case in the annals of the art world. I have attempted to continue to explore the key questions that TIME magazine asked in its October 31, 2011, cover story: "Who killed Vincent van Gogh?" and "Was van Gogh's death really a suicide?" on the "Culture" Cover. I have attempted to answer both questions by adding in modern 21st century forensic analysis. This work is not meant as an academic treatise or dissertation, with every observation, thought, and detail requiring documentation. It is only an attempt as an expose', to seek the truth of what really happened on the day Vincent van Gogh was mortally wounded, and to best connect all the missing "dots". In the process, I will try to fit the best murder scenario into what little is really accepted, and why he was murdered....significantly changing art history! This book attempts to explore all possible scenarios, no matter how likely or unlikely, or how relevant or irrelevant they may appear to be to this cold case at first glance. Which of several scenarios best puts all the facts, stories, and legends together and connects all these odd "dots" now in a persuasive manner? Sometimes the truth is more unbelievable than the reality it discloses.
Marguerite and Vincent: The Unmasked Love Affair That Got Him Honor Killed
There are several paintings completed by Vincent that unquestioningly depict Marguerite Gachet, which we will explore in more detail in the following chapters. Are there perhaps other paintings and sketches of Marguerite that were hastily completed in quiet corners away from watchful eyes but not thusly attributed, or even lost?
Knowing Dr. Gachet’s feelings about the painter’s proximity to his daughter, Vincent tried his best to hide the new and exciting relationship with Marguerite from the male Gachets and their housekeeper, Mme Chevalier. Certainly, the simple solution was to sketch and paint Marguerite from memory without a formal sitting, and avoid naming her as the model. By not labeling Marguerite, Vincent may have thought that their love affair remained secret, when in reality it may have been obvious to all that the two were lovers.
My Two Mothers Were Sisters - The Lazarus Factor
Napoleon and his military key staff stop to re-shod his famous white horse in the village of Mariempole in the Slavant (now Lithuania) during his misadventures in Mother Russia. The village blacksmith was my great-great grandfather, Mordechai Finkelstein. His son Lazarus, a young child, also met Napoleon, but had to hide in a hay loft to avoid being conscripted before Napoleon left the village. What is the Lazarus Factor?
I am…. Dr. Irving Hanan Kaufman (Karchmer) Arenberg. You would expect from that long and convoluted name an unusual historical basis and a very interesting family history…. and an unusual personal story. Well hopefully, here it is….and for starters … my two mothers were sisters. …That’s just the obvious part of the Lazarus factor. How did/does Lazarus impact me? How is that possible??….........What is the LAZARUS FACTOR? Let’s start to connect the dots…………………………………
“Four shots ripped into my groin and I was off on the greatest adventure of my life.”
Well that was the opening lines of my cousin, Max Shulman’s best seller, SLEEP TIL NOON (1950). He was also a Hollywood screenwriter and wrote Rally Round the Flag Boys, starring Paul Newman and his wife (for the 1st time together), Joanne Woodward. He also wrote House Calls starring Walter Matthau and Glenda Jackson. So, he is one of many creative souls in the arts and many other unusual family characters’ that I want to introduce you to in the course of trying to connect the dots and fit all of the unusual pieces of my varied and eclectic life together.
I suppose you should be wondering and asking yourself why do I really want to read anything about this guy or his families story? Will I find it intriguing, emotionally uplifting? Boring? ……. Or really why bother?
Well, for starters, let us see how it came to be that I was, de facto, Vincent Van Gogh’s (VVG) ear doc? (See JAMA, July, 1990). I was VVG ear doc in the sense that I read all of his 760 extant letters and used his, almost daily writings as if taking a medical history from VVG. He often wrote about how he was feeling, or what medical problems he was having. So I made the diagnosis of Meniere's disease from his clinical history provided to me by his own written description of his recurrent, intermittent malady. Thus I was, diagnostically, in effect, his ear doc. Hopefully you will scratch your head and go read the original article to better understand this tidbit of medical trivia.
First a little back ground and overview to see how that pathway evolved to put me into that position; Basically, I have had 3 successful careers in the last 15 +years (see resume in appendix);
1. Internationally recognized ear surgeon and clinical researcher on Inner ear disorders and Meniere’s disease with many books edited, chapters and many peer reviewed articles published. The one article, which gained worldwide notoriety was published in JAMA, in July,1990, 100 years to the week of his suicide in August, 1890. The JAMA article was prime front page news around the world in the lay press after the press release embargo was lifted. I was also on CBS This Morning, live with Paula Zahn, the day the embargo was lifted and for 24 hours of fame, was all about one of my hero’s (See details in Chapter…”aura of Greatness), Vincent Van Gogh (VVG), and his previously undiagnosed inner ear condition, (Meniere’s disease).
2. Entrepreneur who started a medical device company based on my own intellectual property (3 patents) with my two sons, Dan and Mike, both lawyers and MBA’s. Our company was successfully sold to a Pharma CO in Silicon Valley. Why did I deviate from my clinical practice?
3. Portfolio manager for a boutique gold/Precious Metals sector hedge fund in NY. My trading track record was 82+% CAR (compound annual return per year,) for ~10 years. That’s some really good years and some really not so good years. How and why did I take and make such a major series of career changes? Let’s start at the beginning and start to connect the dots and then, importantly what is/was and will be the Lazarus factor and its significance to me and all of our future?
Why these 3 major, different, sequential and successful careers changes? This is particularly unusual/unique since I have been told by many colleague’s, friends and family that I should have never been a success at much of anything and that all who knew my childhood background would have easily come to my defense of successive failures rather than a string of career successes…………. They could easily say, what else would you expect?” Let’s see what you think, dear reader, after I add some color for you.
The Day Vincent Van Gogh Was Murdered: Led to the Greatest Art Heist in Modern History
The suicide or murder of Vincent van Gogh is currently the most discussed and disputed aspect of this enigmatic artist's life and mysterious death today! Those currently in control of his public narrative for their lucrative livelihood, refuse to accept the fact that Vincent did not commit suicide as a martyr for his art. This would be a real tear jerker if true, but sadly it is a “blasphemy” for anyone willing to challenge the suicide narrative with anything so banal as truth, “just a murder”- just an honor killing by his lovers family!
The van Gogh art heist, now the largest number and greatest value art theft of any single artist ever in a single day, is based on shrouded and sketchy historic events. This was de facto, the largest art heist in the nineteenth century and in all of modern art history, excluding the horrific and unconscionable Nazi’s rape of the best European art in the twentieth century. At anticipated current market conditions in the modern era with new and innovative world-wide van Gogh interactive and “immersive” exhibitions, uncovering a probable major van Gogh masterpiece, and the unflagging interest in owning a van Gogh, the theft of 26 van Gogh painting must be considered unquestionably, the largest and most valuable art heist in modern times by a single artist.
On July 30, 1890, a hot and muggy afternoon, shortly after Vincent van Gogh was laid to rest after his honor killing for “compromising” his doctor’s twenty-one-year-old daughter, twenty-six (26) of his unknown paintings and other art material were taken from the hotel where his final viewing occurred by his doctor and his son. This was the largest art heist of a single artist ever and led to the Gachet art forgery ring and many fakes, forgeries, and altered provenance for years.
What Secrets Did Van Gogh Take With Him To His Grave: The Autopsy Results
The mission of the Killing Vincent Project (KVP) seeks the full extent of forensic evidence to definitively prove that Vincent van Gogh did not commit suicide. Our case has demonstrated that neither the psychological interpretation of van Gogh’s state of mind while in Auvers-sur-Oise nor his modern suicide profile analysis can meet the basic threshold for suicide. Furthermore, twenty-first century wound reenactments have cast the suicide thesis in reasonable doubt, indicating by default that murder was the cause of Vincent van Gogh’s death. All that remains is to put that theory to the ultimate test via analysis of the artist’s remains, whatever state they may be in now.
To conduct this critical research, the KVP team needs to obtain the required permission from the French Ministry of Culture. For that, we first appeal to the Ministry of Culture’s recognition of the artist’s legacy as the father of Expressionism and his significance as a pivotal figure in art history. It is, after all, the Ministry’s duty to honor history by upholding facts and seeking truths. As we attempt to make our case to the Ministry of Culture, the second basis for the minister to act, is to join with the Ministry of Justice to finally put this more than 130 year old cold case homicide to closure.