Set in an art colony on the Southern California coast, this series opener blends elements of urban fantasies, amateur sleuth mysteries, and magical realism.

Although Skysill Beach may seem like just another tourist trap—featuring numerous parks, art galleries, and even a psychic district—there’s a shadowy side to the secluded community of artists. For generations, the talented painters who relocate to Skysill never seem to leave. And, even stranger, many artists utilize “Higher colors” in their works that are not only undetectable to the normal eye, but can also be used to manipulate various emotions. When former wunderkind artist Asher Gale—whose ability to see the spectrum of these colors may have driven him to a mental breakdown—is tasked with investigating the apparent suicide of the daughter of a wealthy patron, he quickly discovers the motives behind the young woman’s death are not only complicated, but dangerous as well. His inquiries give him insight into the obscure origins of Skysill, and also reveal details about the mysterious disappearance of his parents years earlier. Powered by consummate worldbuilding, superb character development, and nonstop action, Hincker’s wildly original storyline—which features ghosts, murders, psychics, and even an unlikely romance—is only the beginning of a much more grand-scale narrative. Also of note is the author’s witty—and effortlessly readable—writing style. Although there are countless examples of his unique use of imagery and analogy, a few examples follow: One character is described as having “snowy skin and white hair falling taut off one shoulder, the way starlets played nuns in the 50s,” and an older woman is “stooped like a question mark.” Another character squints through her bifocals and tight lips and makes “the sound horses do, thinking about hay.”

This masterful detective tale launches what could be a transcendent hybrid series—a must-read.

A mentally unstable former artist sees colors invisible on the normal spectrum and is plagued by ghosts in Hincker’s novel, the second in a series.

Once considered the most talented young artist in Skysill Beach—an art colony / tourist trap on the Southern California coast populated by artists who work with ultraviolet light—Gale is now an alcoholic who can barely hold down his job authenticating real paintings from forgeries because of his bad attitude, almost constant state of inebriation, and his frequent seizures, which he calls “storms.” When Gale is approached by a wealthy art collector and tasked with traveling to Los Angeles to have a potentially invaluable canvas authenticated—a painting that was allegedly done in 1492 by an Italian artist who painted with “higher colors”—Gale leaves the confines of Skysill Beach for the first time in his life and quickly realizes that the ghost (of a woman who died by suicide) who has been haunting him, his sexually charged relationship with a psychic, and his mysterious past are all entangled in a grand-scale conspiracy that includes the end of time itself. An intriguing premise, deeply developed characters, masterful worldbuilding, an impressively intricate storyline, and some bombshell plot twists at the novel’s end make this a virtually unputdownable read. Gale’s self-deprecating, razor-sharp wit (“…my strengths are introspection and getting drunk…”) gives the story an added layer of literary appeal. At the height of an intense scene in which antagonistic characters meet, Hincker throws in this great line: “For a second no one spoke because it would’ve wasted the stare down.” Though the various narrative elements, when considered separately, aren’t exactly groundbreaking, cumulatively the storyline has a wonderfully fresh and innovative feel.

A blueprint for the next evolutionary step in genre-hybridized fiction.

Hincker presents an SF story of first contact, human survival, and banking.

When aliens first arrived on Earth in the year 2047, economist Diana Roark, the CEO of Roark Pharmaceuticals, was down on the ocean floor on a near-fatal deep-water bioprospecting mission that “shattered” an arm and a leg. As a result, she missed the alien visitation; three hours after they showed up, they were gone, having provided Augmentation that made all bodies on Earth run at peak efficiency and mysterious Obelisks that provided all of humanity’s basic needs. Thirty years later, the whole world has changed: “Why work, they had reasoned, at meaningless careers, when food and water were free, health care unnecessary, and when the natural elements had been conquered?” But for Diana, everything remained the same; as far as she knows, she’s the only human who didn’t go through Augmentation. Now 60—and unlike everyone else, showing her age—she has bone cancer that’s about to end her life, so she decides to go on the secret vacation she’s been planning. But before she can fulfill her last wishes, she’s kidnapped by an operative from the World Bank who mistakenly believes that she knows more about the aliens than anyone else does. She’s rescued by Robert, a foulmouthed alien account executive who resembles broccoli and who tells Diana she has only 48 hours left to save Earth. What follows is a unique, frantic, fun, and thought-provoking SF tale that takes surprising twists and turns. Often, it delivers unexpectedly humorous observations: “It wasn’t much of a plan, but economists were notorious for unreasonable passions and commitment to untestable theories.” Hincker essentially offers a book about banking and economists—who are both the villains and heroes of this piece—that’s anything but dry or dogmatic. Quite the contrary, it’s a zany romp with heart, reminiscent of Douglas Adams’ The Hitchhiker’s Guide to the Galaxy (1980) and its sequels as it follows Diana in her earnest journey of healing and heroism. An open ending promises more delights to come.

Enjoyable, funny, and thought-provoking speculative fiction.

In Hincker’s contemporary fantasy novel, a teen has a supernatural connection to bees.

While sitting in his middle school classroom, Anthony Smith notices a bee. While the rest of the students panic, Anthony has no worries about being stung—after all, he can communicate with bees. On her deathbed, Anthony’s mother made Anthony promise he would never use his strange ability again. The insect’s classroom visit rekindles his love of bees and beekeeping, and even Anthony’s teachers think he should be encouraged to spend his time focusing on bees rather than falling further into the depression brought on by the death of his mother. But something is wrong with the hive Anthony has cared for since his mother’s death; the bees aren’t acting like they should. Anthony happens upon a small queen bee unlike any other he’s ever seen, clearly wounded and alone. Taking her home and caring for her, Anthony introduces her to his failing hive in a last-ditch effort to save both it and the “Little Queen.” While researching online to determine just what kind of bee his new queen is, Anthony starts to receive some disturbing messages that lead to threats against both him and his precious hive. The author tells his sweet-as-honey story from multiple perspectives, primarily those of Anthony and the Little Queen. The thought processes and world of the bees are intricately drawn; the description of how knowledge is passed along from one bee to another is creatively handled, and the Plain of Crowns, where only a Queen Bee may visit, sounds like heaven to both humans and bees: “Beneath her is a rich, golden vastness, the color of perfectly cured honey. It glows like the light of the sun through a yellow autumn leaf.” Though Anthony is in the seventh grade, his story will appeal to adults and younger readers alike.

A well-written, compelling tale—readers will fall in love with Anthony and his Little Queen.