"A classic in the making, this collection of time-traveling sci-fi stories mixes gripping human narratives with provocative scientific speculation"– Kirkus Reviews
|Pub Date: May 18, 2012|
|Page count: 272pp|
A dazzling collection of time-travel–themed sci-fi that stands with some of the classics of the genre.
In Whose Time, the novella that opens this collection, distills complex theoretical physics into an attention-grabbing yarn. According to the story, particular moments in history create focal points from which new universes in other dimensions branch outward. Ambassadors from two different futures created by one such focal point—the launch of a seemingly innocuous communications satellite—travel back in time to the Earth days before liftoff. If she can ensure that the satellite isn’t launched on schedule, Sha’raelon’s timeline begins; if it’s launched on time, the universe of Jarren Canto is ascendant. Each timeline has its attractions and perils, and it’s up to the people of the Earth to choose their future. Unfortunately, neither ambassador has been completely honest about what’s in store for humankind....There are big ideas in this story—grandfather paradoxes, temporal loops—yet the pacing never flags, and the plot’s contortions of time and space are original and thrilling. The title story is a gritty future noir about two cops on a mission to deliver a warrant in a lawless city. The twist at the end of this short, brutal tale—a nightmarish vision of penal system privatization—delivers the satisfying impact of a classic Twilight Zone episode. “Crossover,” the final story, has a similarly surprising conclusion. A husband grieving his wife’s death becomes intrigued with a scientist friend’s research: experiments involving separating the soul from the body by means of extreme physical experiences. The husband devises his own test to see if, once freed, a soul could re-enter its body at an earlier time and change the future. The results are literally as well as figuratively breathtaking. All three of these stories are brightly and engagingly written, with solid dialogue, compelling characters and scenarios that, no matter how elaborate, never undermine the momentum of the stories.
A classic in the making, this collection of time-traveling sci-fi stories mixes gripping human narratives with provocative scientific speculation.
|Pub Date: April 8, 2011|
|Page count: 386pp|
Three journeys—to the western Mediterranean, Scotland and France—through the past twined with the present, from historian Robinson.
Robinson likes his trips to be leisurely paced—on foot, bike or slow boat, though he’s also well-acquainted with planes and buses—with frequent stops for a beer, to smell the roses and to get intimate with the past. The author says, “I feel something profound in places where tangible history survives to the present, as if by touching the walls I can transport myself across time.” History guides Robinson in two of these adventures—following Hannibal’s footsteps from Spain to southern Italy and Joan of Arc’s through France during her incandescent years battling the Burgundians. He braids a deep reading of their campaigns with his bright observations, adding broad slices of politics, history, geology, architecture and military history, as when he says, “The sacking of Saguntum was not just a casual act of violence perpetrated by a man who hated Rome, it was a coldly calculated strategic necessity.” The author also has fine eye for detail, remarking how, “White medieval stonework was blackened by time and weather, and copper roofs ran with a green patina.” In Scotland, Robinson strikes out upon moor and high ground, slips up to the Orkneys and spends time, uncharacteristically, in Edinburgh—he is not a fan of cities. The author freely admits to a fear of crowds and, for someone with wanderlust, he has a pleasingly comical ineptness with foreign languages—the French, not surprisingly, give him the most grief in that department. Perhaps it’s karmic retribution for all the hamburgers he ate in France, where he could have spent his admittedly meager euros at a local bistro instead.
Though he prefers to fly solo, the author’s curiosity and aptitude for history would make him a good road companion.
|Pub Date: Aug. 3, 2009|
Anguished people hit the road in this dazzling pair of novellas.
The search for freedom from imprisoning realities animates both of these stories. In Anwar,” Gill Taylor–a successful Washington, D.C., accountant with a past as a neighborhood activist–is poised to run for Congress. His idealism runs smack into the realities of retail politics, consisting of insidious pressures to sell out his friends and his principles. Gill recoils at the betrayals demanded of him, but his ambitious, cunning wife Laura revels in such games. She thinks a little moral compromise is a small price to pay for power. Fleeing his world of backslapping treachery, Gill lights out on a whim for that symbol of embattled purity, the Arctic National Wildlife Refuge. There, he faces more clear-cut perils–cold, fog, bears–in the struggle for survival. Robinson subtly renders the small, incessant corruptions of Beltway society, which, for all its civility, is as ruthless as the harsh Alaska frontier. In The Trace,” 47-year-old Houston web designer Charles Winston finds his life physically constrained by a creeping paralysis, and prevails on his devastated mother Ermine to take him out for a trip along the scenic Natchez Trail parkway to her Tennessee hometown. The story is on one level a tragedy of failed adulthood–as Charles’s condition worsens, he regresses to a second infancy in which Ermine must bathe and diaper him. But the mood is one of reflection and familial love. Mother and son work through the many disappointments and hardships that blighted their past, and Charles loses himself in reveries about the simple pleasures of nature and movement. The result is a moving drama that manages to wring solace from heartache. In both these sagas, Robinson writes with a wonderful feel for character and setting. His supple prose mixes nuanced psychological realism with hauntingly evoked landscapes that lend his tales a mythic resonance.
A fine work of debut fiction by a talented writer.