Nicholas Lamar Soutter

Nicholas Lamar Soutter is a writer and philosopher, born in Cambridge, Massachusetts.

He began writing (so to speak) at 4, when he would make books out of construction paper and dictate stories for his parents and teachers to write for him. He greatly favored dogs and cats in his stories.

When he learned to read and write for himself, he began writing voraciously, stealing his mother's typewriter and keeping it secreted away like it was the Sports Illustrated Swimsuit Issue.

In high school he wrote four full length novels, and naturally assumed that  ...See more >


Nicholas Lamar Soutter welcomes queries regarding:
Agent Representation
Events & Signings
Film Rights
Foreign Publication
Media Coverage
Networking
U.S. Publication

CONNECT WITH THIS AUTHOR



"Profound... sure to spark a reaction' and 'scathing, ceaselessly engaging"

Kirkus Reviews


AWARDS, PRESS & INTERESTS

Kirkus Star: THE WATER THIEF

Named to Kirkus Reviews' Best Books of 2012: THE WATER THIEF

Finalist, Foreword Reviews Book of the Year: The Water Thief, 2012: THE WATER THIEF

Winner, Foreword Reviews Science Fiction Book of the Year: The Water Thief, 2012: THE WATER THIEF

TruthOut.org Review, 2013


BOOKS REVIEWED BY KIRKUS:

FICTION & LITERATURE
Pub Date:
ISBN: 978-1467972277
Page count: 248pp

In a world ruled by capitalism, an empathetic corporate worker questions the principles upon which the society functions.

Soutter’s debut novel is a scathing, ceaselessly engaging examination of capitalism and corporatism. At Ackerman Brothers Securities Corporation, Charles Thatcher works as a perception manager; his job is to process and deflect any negativity regarding the corporation. Now that the government has crumbled, capitalism is the new regime, with constant demands for profitable information, either substantiated or speculative. Charles hopes for higher compensation by spinning the story of a woman stealing rainwater, but soon after his ploy, he begins to mull over the consequences and regret his actions. A meeting with Kate, a friend of the woman, leaves Charles reassessing the value of a civilization run by the rich, as he wonders how long capitalism can sustain itself. The story intimates that men and their actions—not just an immaterial idea—are the essential cause of immorality, but it centers on the undesirable fallout of money as the corollary source of power. Soutter’s vision of capitalistic supremacy is gleefully absurd: A simple elevator ride costs five cents per floor, and information is only conveyed for a price. Societal classes are now purchasable contracts, and the poor reside in LowSec (Low Security); a citizen’s lot in life, like all commodities, is bought and paid for. There are also welcome dashes of satire derived from characters unable, or unwilling, to acknowledge irony: a perception manager writing a report on an unflattering anti–perception management story; Linus, Charles’ higher-ranking colleague, offers an alternative moral regarding mendacity (he’s not against lying, but rather against telling the same lie more than once). Charles has many lengthy discussions with Kate over now-archaic standards (to them), like people electing other people into power, but their talks are never tedious or repetitive. Their conversations also lead to one of the book’s most potent lines: “The single best indicator of where you end up in life is where you start, no matter what the capitalists tell you.”

Profound, provocative and sure to spark a reaction.

ONLINE: