"Profound... sure to spark a reaction' and 'scathing, ceaselessly engaging"– Kirkus Reviews
McClintock and Soutter’s novel follows John Greaney, a psychotherapist working in Pennsylvania’s violent prison system.
After losing his job at a state mental hospital that was burned down by one of his patients, Greaney finds work in Pennsylvania’s rough and tough prison system. Mostly he’s at a maximum-security prison, though he also does a stint at a medium-security prison and visits others. The book starts with a bang—an ex-con confronts Greaney at a bar—and the action continues almost nonstop as he works with and fends off a variety of intimidating, crazy criminals ranging from murderers, rapists, and pedophiles to one or two inmates wrongfully convicted and imprisoned. Character studies here delve into the diversity of personalities—from the practically benign to the pathologically monstrous—and paint a bleakly dismal portrait of prison and its denizens as well as the difficult positions for prison psychotherapists. Often hated, gamed, or attacked by prisoners, they garner little sympathy from the guards who are supposed to protect them but who look upon them as naïve bleeding hearts. A proponent of blunt honesty and tough love, Greaney succeeds in counseling some prisoners but concludes that his job is futile. The work is making him as mad as his clients. He begins drinking heavily, gaining weight, and having violent fantasies; eventually, he seeks professional help. This gritty account of the cruel realities of modern American prison life is notable for its insightful character sketches and its detailed descriptions of prisons’ physical and emotional brutality, not to mention the blundering bureaucracy and the American public’s heedlessness. Sharply focused and tightly written, the book makes for a riveting read, though the authors can’t seem to decide whether prisons and prisoners can be reformed or are beyond redemption. Perhaps the conclusion is that American crime and punishment may be one more problem with no solution. But the novel presents a forceful case that America’s prison system is making the most incarcerated population on Earth worse rather than better, endangering not only prisoners, but those who work with them, not to mention the public at large.
A finely crafted, thoughtful look at the modern-day morass of America’s prison system.
In a world ruled by capitalism, an empathetic corporate worker questions the principles upon which the society functions.
Soutter’s debut novel is a scathing, ceaselessly engaging examination of capitalism and corporatism. At Ackerman Brothers Securities Corporation, Charles Thatcher works as a perception manager; his job is to process and deflect any negativity regarding the corporation. Now that the government has crumbled, capitalism is the new regime, with constant demands for profitable information, either substantiated or speculative. Charles hopes for higher compensation by spinning the story of a woman stealing rainwater, but soon after his ploy, he begins to mull over the consequences and regret his actions. A meeting with Kate, a friend of the woman, leaves Charles reassessing the value of a civilization run by the rich, as he wonders how long capitalism can sustain itself. The story intimates that men and their actions—not just an immaterial idea—are the essential cause of immorality, but it centers on the undesirable fallout of money as the corollary source of power. Soutter’s vision of capitalistic supremacy is gleefully absurd: A simple elevator ride costs five cents per floor, and information is only conveyed for a price. Societal classes are now purchasable contracts, and the poor reside in LowSec (Low Security); a citizen’s lot in life, like all commodities, is bought and paid for. There are also welcome dashes of satire derived from characters unable, or unwilling, to acknowledge irony: a perception manager writing a report on an unflattering anti–perception management story; Linus, Charles’ higher-ranking colleague, offers an alternative moral regarding mendacity (he’s not against lying, but rather against telling the same lie more than once). Charles has many lengthy discussions with Kate over now-archaic standards (to them), like people electing other people into power, but their talks are never tedious or repetitive. Their conversations also lead to one of the book’s most potent lines: “The single best indicator of where you end up in life is where you start, no matter what the capitalists tell you.”
Profound, provocative and sure to spark a reaction.