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Pamala Ballingham

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ABOUT THE AUTHOR

Pamala Ballingham was born in Oakland, California, and grew up near Albany, New York. She and her husband, Tim Ballingham, live in the high Sonoran Desert of Tucson, Arizona. When Pamala experienced the grandeur and noble silence of the high desert and red rock canyon lands, her internal world shifted. The ambiance of these pristine landscapes continue to influence her poetry, visual art, and music. Pamala practices meditation, and she studied the profoundly serene and complex art of Japanese tea ceremony.

For decades she and her husband have closely connected with the culture and spiritual traditions of Native Americans. Whenever possible, they quietly sit around campfires listening to wise elders tell their stories and, when appropriate, participate in ceremonies. Most of the elders, the fragile vessels of the old ways, are gone, but their lessons continue to weave themselves into Pamala’s creative work.

She enjoys working with plants and loves animals. She once rescued a hatchling Inca Dove blown from its nest in a storm and then lived with “Birdie” for twelve fascinating years. She volunteered at a small animal rehabilitation center, experiencing with delight and wonder the spirit of each recuperating resident.

Pamala and Tim cofounded Earth Mother Productions, which produced several national award-winning recordings: Earth Mother Lullabies from Around the World (Volumes 1, 2, and 3), Treasury of Earth Mother Lullabies (compilation of three volumes), Magical Melodies from Broadway and Motion Pictures, and Voyage for Dreamers, a collection of her own songs as well as two songs by her friend, the late Kate Wolf. Some of the accolades received are several American Library Association’s Notable Children’s Recording awards and Parents’ Choice “Best of the Best Bedtime Music.” Her music appears on several recordings produced by Sony Music Entertainment: Lullabies and Bedtime Stories and Baby B’ Gosh Lullabies.

Pamala directed a treatment program for adults with serious mental illnesses in Tucson, and she has been a full-time studio artist. Her work has included the creation of sculpted clay neckpieces and, with Tim, large clay wall art. The neckpieces were exhibited by the late fashion designer, Edith Head, and sold by the Kruger Van Eerde Gallery on Madison Avenue in New York and Neiman Marcus in Dallas, Texas. They also appeared in the Goodfellow Catalog of Wonderful Things. Pamala and Tim’s wall art was featured in the book Beautiful Things, and Four Seasons was purchased for McGraw Hill Publishing Company’s permanent collection.

Pamala earned a bachelor’s degree in art education, and a master’s degree in counseling. She and Tim give experiential workshops and teach classes using clay as a means to encourage people to explore their fascinating inner world of creativity.

TRIBUTARIES Cover
RELIGION & INSPIRATION

TRIBUTARIES

BY Pamala Ballingham • POSTED ON Oct. 16, 2018

The poems in this collection speak lyrically of spirituality, nature, travel, love, and moments of perception in free verse, prose poems, haiku, and senryu.

Ballingham, a singer, art educator, and president of Tucson, Arizona–based music-production company Earth Mother Productions, divides her debut book of poems into 12 chapters. The first, “In Places Far Away,” contains pieces that touch on the concepts of travel and distance, whether actual or metaphorical. Chapter 2, “Beach Walk: The Baja Connection,” focuses on how a particular destination teases the speaker out of thought: “When the walking stops, / tranquility fills inner spaces.” The poems in Chapter 3, “Promise of Fullness,” concern love of various kinds—romantic, familial, and spiritual. The speaker in “How Can I Say I Love You?” for instance, combines the romantic and the spiritual forms of love in a description of a loved one as elusive, “an incandescence / of something grander / breathing on the other side.” Chapters 4 and 5, “Another Root and Stem” and “Climb the High Stairs,” include poems linking the natural world and the spiritual. The works in Chapter 6, “Even the Ocean Has a Floor,” concern death, loss, dreams, and memory but also renewal. Other chapters treat “pivotal” moments (Chapter 7, “Live It Simple”), creativity (Chapter 8, “The Muse: More Air Than Earth”), mortality (Chapter 9, “We Princelings”), men and women (Chapter 10, “Origins”), and specific colors (Chapter 11, “Reflections on Color”). The final chapter offers haiku and senryu poems that contemplate aspects of nature and love. At her best, Ballingham employs precise, unexpected images that vividly evoke a number of different emotional states. In “Valentine’s Day on the Surgical Ward,” for example, she describes the menacing feel of a late-night hospital room by employing an effective bit of anthropomorphism: “If you think about what lurks, / the future might exhale into your face / and snuff out the sun.” She also describes the ward as a “restless labyrinth / filled with lives making right-angle turns,” an image that nicely links the turns of a maze with the ways that illness diverts people from a forward path. Some poems, such as “And Then, My Love,” have a pithy, aphoristic quality: “The prayer is just air until you say it, / the heart is mute until you sing it, / the ceremony is dormant until you do it.” Others, though, offer merely pretty description without resolution or surprise; in “Low Tide,” for example, snails create “lacy etchings / that take my breath / away.” Although Ballingham’s interest in diverse spiritual practices seems deeply felt, as when she borrows a Lakota term for Grandmother Earth in “Unčí Makĥá,” some readers may find the way that she makes use of certain images, such as the raven of Pacific Northwest Native American traditions; the star people of the Cree, Lakota, and other nations; Dreamtime of Australian Aboriginal peoples; and Pele of native Hawaiians, to be culturally appropriative.

Often dreamy and occasionally sharp poems whose spirituality draws from numerous outside sources.

Pub Date: Oct. 16, 2018

ISBN: 978-0-922104-36-9

Page count: 176pp

Publisher: Earth Mother Productions

Review Posted Online: May 24, 2019

Awards, Press & Interests

Favorite author

David Whyte

Favorite book

Secret Life of Trees by Peter Wohlleben

Favorite word

equanimity

Hometown

Tucson, Arizona

Passion in life

Exploring consciousness, creativity, nature

Unexpected skill or talent

Japanese Tea Ceremony, pottery, drawing, singing

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