PRO CONNECT
I'm a long retired middling---and a tad muddling, alas---mathematician from a university very like the one featured in my novel. Prior to this, my writing experience consisted of translating (mostly from Russian) a dozen or so mathematics-oriented books (published under my real name). My novel is, I gather, a "roman a clef": like my protagonist I grew up in Australia and came to Canada in my late twenties, and, again like him, some years ago became infuriated at the shenanigans of the present Russian president, whom, on the advice of my Russian-Georgian-Jewish wife, I have renamed "Padlov," which, she assures me, is cognate with the Russian word for "offal." My frustration, especially at the return of the nuclear threat, served to motivate me to write a thriller about someone nursing a (tentative) desire to assassinate Padlov, but as this theme tended to occupy too few pages, I filled out the story with stretches from the would-be assassin's life in Australia and Canada, as well as a period of ten months in the USSR in 1966-67, all comprising the "clef" portion of the novel. Some of the mathematical or philosophical allusions might nevertheless appeal to anyone with interests in that direction. Some might find the description of life in postwar Gatton, the little town in southeast Queensland were I grew up, diverting. The hero's experience of Moscow in Soviet times might also be of interest, as that of a mad exotic world consigned to the dustbin of history, one hopes. And his voyeurism and general preoccupation with sex may amuse---or repel. Note that the cover, front and back, depicts the twelve pentominoes, which play a small supporting role in the narrative.
I feel that the "thriller" portion of the novel might very well serve as the plot of a wry screen thriller, with someone like Bill Nighy playing the old prof.
It might be objected that a film about an assassination, albeit tentative, of a presiding Russian president, would constitute a rather radical violation of international political etiquette. In response, one might remind such an hypothetical objector that the present Russian prez tipped the scales in favour of Trump's election and Brexit---not to mention a great many other heinous misdeeds which can be laid to him, several of which are itemized in my novel. He's brazen, so why can't we be? But of course the actual identity of the putative victim of said assassination could be disguised to some extent in order to mollify the politically tender-hearted.
“a peculiar but beguiling mixture of the quotidian and the comically fantastical
The protagonist comes off as an engagingly quirky character---a deeply cerebral man
At its best, the novel is a thoughtful, often funny, exploration of the allure of political anger.”
– Kirkus Reviews
In Brennt’s debut novel, an aging, Canadian mathematics professor, who’s obsessed with all things Russian, decides to assassinate the Russian president.
Andrew Bloomfield is a contract professor of mathematics in Toronto who’s been unable to “break into the tenure stream,” despite decades of competent service. In 2016, he’s in his 70s and financially secure but lonely—and increasingly fixated on Russian President Vladimir Vladimirovich Padlov, whom he considers an “ignorant odious, evil little swaggering sprite with the mind of a blundering bully.” Padlov’s crimes and vices are indeed numerous, but Andrew focuses on how the president has undermined the Soviet-era policy of mutually assured destruction, which has increased the threat of a grand “nuclear conflagration.” Andrew has always been drawn to Russian culture—he lived in Moscow in the mid-1960s—and he turns to Russian dating services when searching for companionship. While dating a beautiful woman from Siberia named Nadia Nazarenko, he was subjected to a daily diet of Russian television, and his hatred for Padlov became truly implacable. At one point, he turns to a stranger in line at the bank, whom he suspects is Russian, and asks, “Padlov is just too much, don’t you think? Someone should get rid of him, that’s for sure”; soon, the professor is formulating a dangerous plan. Brennt chronicles Andrew’s slow descent into madness in a peculiar but beguiling mixture of the quotidian and the comically fantastical. Over the course of the book, readers learn a lot about Andrew, from his emigration to Toronto from Australia as a young man, to his disdain for the dogmatism of Marxist theory, to his failed marriage and strained relationship with his stepsons. The protagonist comes off as an engagingly quirky character—a deeply cerebral man “who can’t get enough cosmology,” and who gets lost in reflections on “nothingness.” At its best, the novel is a thoughtful, often funny exploration of the allure of political anger. However, the plot inches along at a glacial pace and takes too many detours—many of which amount to simply more scrutiny of Andrew’s everyday life.
An intelligently conceived tale of frustration, but one that’s too slow-paced to keep readers’ attention.
Pub Date:
ISBN: 978-1-77355-027-5
Page count: 289pp
Publisher: York University Bookstore
Review Posted Online: Nov. 11, 2019
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