PRO CONNECT
Timothy Schmand was born in Buffalo, New York on March 10, 1956. One of six children, he spent his early years pursuing adventures in the vacant lot and on the railroad tracks behind his house. The lot’s pond became the Mississippi, the railroad’s embankment the Himalayas. Cement-mixing tubs passed for Huck’s raft and flattened refrigerator boxes served as magic carpets for sliding down those embankment. Schmand and his comrades constructed elaborate tree houses with materials liberated from construction sites and, on more than one occasion, began digging holes to China.
Schmand decided to write fiction while sitting at a dining room table beside a high school girlfriend as she wrote a story for her sophomore composition class. She began (no lie) “It was a dark and stormy evening.” Upon high school graduation and under Thoreau’s sway, Schmand moved to an old cabin on family property in the foothills of the Alleghenies. There he wrote and worked as a farm hand, until the great aunt who owned the cabin insisted he return to the city and register for college.
While pursuing his B.A. in Political Science, Schmand ran boilers and swept floors in Buffalo Public Schools. In 1979, he returned to the woods and built his own cabin using trees from the property and hand tools. With the cabin complete, he began hitchhiking around North America. While in Seattle and Oakland, he helped rehab old houses. In Key West he worked as a laborer. In New Orleans, he sold blood, was a door man on Bourbon Street, burned garbage in the Royal Orleans Hotel and ran a group home for mentally handicapped women. Schmand eventually earned a B.A. in Political Science from State University College of New York at Buffalo and, later, an MFA in Creative Writing from Vermont College. In his adult life Schmand worked on a wagon train as a counselor for troubled children, edited popular and scholarly magazines, managed museums, public parks, sports authorities and business improvement districts.
Schmand’s fiction, though rooted in reality, never strays far from an imagined world where a cement-mixing tub could be Huck’s raft, and a hole dug in the ground might lead to China. His work has appeared in numerous literary magazines and anthologies, alongside writers as diverse as Charles Bukowski and John Updike. His Miami observations, from the region’s sex club scene to the recent rash of book bannings, have been published regionally and internationally.
His tale "The Great Deadly Malpus" was awarded the1999 Calvino Prize for Short Fiction. In the late 1990s the editors of The Miami Herald Sunday Magazine, Tropic, identified him as among south Florida’s most popular writers. His novels “Just Johnson: The London Delivery” (which the Huffington Post called a ‘funny, fast-paced spy thriller’) and “The True Tales of Bad Benny Taggart,” published by Jitney Books, are available where books are sold.
Schmand is a certified yoga instructor and lives and writes in Ft. Lauderdale, Florida.
“Schmand blends humor and magical realism in this historical novel depicting two days of a teenage boy’s suburban life... A funny, thoughtful, and inventive portrait of teen angst.”
– Kirkus Reviews
Schmand blends humor and magical realism in this historical novel depicting two days of a teenage boy’s suburban life.
It is November 1969, in Buffalo, New York. Patrick Barry, a 12-year-old boy nicknamed Paddy, lives with his mother, Sabrina, and older brother, Chas. His mother earns money as a sex worker. After her sons call her out over the rotation of men coming and going from her bedroom, she explains she is “a friend…The kind some men need.” Because their father is mostly absent from their life (“He don’t send the money. Like he’s supposed to”), both Patrick and Chas are left to their own devices, with Patrick finding solace in speaking to his reflection—a reflection that talks back—and Chas letting out his anger as a bully. Throughout the novel, readers glimpse several instances of brotherly love, often in scenes with other residents of the town, showing the interconnectedness of suburban life. The siblings search for their neighbor’s dog, only to ultimately watch it die after being engulfed by fire caused by Christmas lights; they plow their neighbor’s snow because her husband is dead; and they attend a football game together using gifted tickets provided by one of their mom’s “friends.”
This novel delivers a delicate balance of humor and mysticism, encouraging readers to dig deeper into stereotypes that portray darker sides of suburbia. Right away, it’s obvious that something is off—the novel begins with two pages of dialogue between Patrick and his own reflection in which his mirror image actually becomes a character who speaks and affects the plot. At first, this can feel jarring, and makes Patrick seem mentally ill and unreliable. However, as the story continues, the narrative’s magical elements bring a sense of lightheartedness; the bantering between Patrick and his reflection may cause readers to laugh out loud. (For example, speaking about their father, Chas says, “You don’t know him.” Patrick replies, “He doesn’t like me. That’s why he calls on your birthday and not mine”; Patrick’s reflection chimes in, “Stating THE FUCKING OBVIOUS—again.”) The playfulness of Patrick’s reflection balances some of the more difficult topics included in this narrative—such as death, war, molestation, sex work, parental abandonment, and poverty—and creates a safe space for readers to ponder deeper meanings. The device acts as a buffer that invites introspection, providing readers with a soft landing after being hit with a harder topic. Every so often, a descriptive passage will be so fun and original that one just has to pause in amusement and delight. (It would be remiss not to mention the creative and amusing word choices in some of the descriptions, as when a group of neighbor kids playing hockey is deemed “a single cell organism.”) Finally, the length of the novel perfectly fits the story’s intent. Nothing in the narrative feels like fluff; every element has a point and works with the overarching themes and topics. This is a difficult feat, and one that Schmand handily accomplishes.
A funny, thoughtful, and inventive portrait of teen angst.
Pub Date: July 11, 2025
ISBN: 9781609645182
Page count: 194pp
Review Posted Online: Sept. 11, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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