PRO CONNECT
As a dancer Tonia Shimin performed in the companies of Martha Graham, Jose Limon, Pearl Lang, The Ypsilanti Greek Theater and as a soloist with Anna Sokolow’s Player’s Project, Mary Anthony Dance Theater and Repertory West Dance Company. She has had an extensive teaching career in the United States and abroad. Her choreographic works have appeared in the United States, the Czech Republic, Russia, Germany, Turkey, Switzerland, Greece, Italy, Russia and Mexico. An award winning dance filmmaker, for among others the documentary "Mary Anthony: A life in Modern Dance," her awards have included support from the National Endowment for the Arts and the 2005 Lifetime Achievement Award from the Santa Barbara Dance Alliance. Currently she is Professor Emerita of the Department of Theater and Dance at the University of California, Santa Barbara and continues her creative work in the USA and abroad. Most recently she has curated, edited and with Mercury Press International, published "The Art of Symeon Shimin," on the remarkable work of her father, whose fine art is here shown in a collection for the first time.
“A loving survey of an artist’s varied career.”
– Kirkus Reviews
Editor Tonia Shimin assembles essays and images that span the rich career of her late father, the painter Symeon Shimin.
The book’s opening section is a brief autobiographical essay that Symeon Shimin wrote before his death in 1984. In it, he spends little time on the subject of painting, focusing instead on his family life. He was born in Astrakhan, Russia, in 1902 and wanted to be a musician as a child; he idolized his uncle Eli, who was a composer. In 1912, the family moved to New York City. As he pursued his art, representational drawing came to him easily, and his first studies were on paper bags from his father’s new delicatessen. The second essay, by critic Josef Woodard, provides a fine portrait of Shimin’s artistic life and takes time to appreciate the artist’s illustrations for movie posters and children’s books. But to Woodard, these finely executed projects prevented Shimin from pursuing more worthwhile works like his Contemporary Justice and the Child, “a landmark mural” in the U.S. Department of Justice building. In the final essay, arts journalist Charles Donelan fastidiously moves through Shimin’s oeuvre, presenting a notion of the artist as a “passionate observer” and “humanist” whose representational paintings were underappreciated when abstract works dominated art markets. Together, the three essays achieve an edifying balance with Shimin’s intimate reflection, Woodard’s steady survey, and Donelan’s academic appreciation. The rest of the book consists of reproductions, ably arranged to showcase Shimin's virtuosity and beautifully highlight his career-spanning fascination with the human form. The reprints of studies for Contemporary Justice are a highlight, revealing the minute strokes of brilliance that contributed to a coherent whole. A glowing reprint of Shimin’s later painting The Pack shows the artist’s knack for chaotic ensemble, as does Discussion Group (I), reprinted across two facing pages. In her acknowledgments, Tonia Shimin says that she intended the book as a “tribute to the work of my father”; it is, and it also underscores the skills of its editor.
A loving survey of an artist’s varied career.
Pub Date: Nov. 1, 2019
ISBN: 978-0-9990342-2-4
Page count: 156pp
Publisher: Mercury Press International
Review Posted Online: June 23, 2020
Kirkus Reviews Issue: Aug. 1, 2020
The Art of Symeon Shimin
Day job
Professor Emerita of Department of Theater and Dance, University of California, Santa Barbara
Favorite author
Maya Angelou
Hometown
New York City
Passion in life
Dance, Music and all of the creative arts and the connection to nature.
Unexpected skill or talent
Pottery
THE ART OF SYMEON SHIMIN: Distinguished Favorite for Fine Arts 2020 The Independent Press Awards, 2020
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