An absolute grand-slam first installment of an SF/fantasy series.
Set on the world of Solace centuries after a United Nations colony ship crash-landed on the planet, this debut novel offers a grand-scale narrative that mixes epic fantasy and SF.
The inhabitants of the Caustlands live within a massive, ringed veil known as the Siinlan that encircles the realm’s six states like a “grey-green penumbra” and acts as a bulwark to the wild and largely unexplored Abwaild beyond. A peculiar, sludgelike river named the Gyring Ash flows around the Siinlan, and a swampy expanse called the Ashlit Mire extends from the Gyring. The entire world—inside and outside the Siinlan—is steeped in mystery: bizarre creatures in the Abwaild; a wasteland of ruins; secret labyrinths beneath Solace’s surface; and strange artifacts from “Old Earth” or an ancient civilization that existed before Starfall, the apocalyptic crash-landing of the colony ship that killed the planet’s inhabitants. The story revolves around a cast of diverse main characters. Dayang, a 12-year-old girl who lives with her affluent family in Kualabu, has trained her entire life to protect her people from the nightmarish creatures lurking beyond the town’s fortified walls. But when she is forced to battle a massive Abwaild creature attacking the town, she uncovers a far-reaching conspiracy that could destroy the entire Caustlands. Then there are Sanyago and Laris, both novices studying at the Presilyo monastery, home to the warrior monks who follow the Triune Path religious sect. After years of relentless training—and manipulation—the two realize that everything they’ve learned may not be the truth. On the other side of the Siinlan, in the Sovereign Nations, Juliaen receives a holy vision—to purify and reclaim the Caustlands for a radical, dissident sect of the Triune Path called the Carvers. Eventually, all of the plot threads intertwine in an explosive collision filled with bombshell revelations and even deeper mysteries.
While this is obviously a character-driven tale—even secondary players are adeptly developed—it’s the meticulous worldbuilding and extensive backstory that make Magleby’s series opener so effortlessly immersive. For example, there’s a creature called a spearstalker: “The four lower legs were nothing too strange, many-jointed, with thick exoskeleton plates, ending in an array of splayed digging-claws. The upper pair, though—they rose from the top, elbow-joint pointed forward, each limb supporting one long thick tube with an unsettling crystalline eyebulb slung just under the front opening.” But the hidden narrative gem here is the deep philosophical undertone. Excerpts like this one are scattered throughout: “Consciousness is both the loftiest power and the deepest mystery of all existence. Do not lend its immense potential lightly. Do not waste its precious, fleeting moments. Never let it give shape to what it should not fathom.” The one minor criticism is the sluggish way in which the tale begins. The author introduces the various character arcs all the way back to when the central players were children. While this information is relevant, it could have easily been revealed through flashbacks, and the novel’s major hooks could have been more appropriately moved closer to the narrative’s beginning instead of hundreds of pages into the story. Still, masterful worldbuilding, a rich tapestry of character-centric threads, and nonstop action and adventure make this a must-read for those who enjoy shelf-bending and genre-blending storylines.
An absolute grand-slam first installment of an SF/fantasy series.Pub Date: June 11, 2020
ISBN: 979-8652350178
Page Count: 560
Publisher: N/A
Review Posted Online: April 8, 2022
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
PROFILES
BOOK TO SCREEN
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
