by Max Davine ‧ RELEASE DATE: April 30, 2021
A well-crafted, if exceptionally violent, tale of conflict.
North American Indigenous people clash with Vikings in this historical drama.
In the 10th century, Straumfjord is a Norse settlement in Vinland, founded by Icelandic explorer Lief Eiriksson. The Norse chieftains, who battle over newly settled territories in the area, such as Markland, must also contend with the skraelingjar, or savages, their term for Indigenous people. The latter live lives in harmony with the seasons, and they remain wary of the “Pale Ones,” who enslave people. When Indigenous teenager Madawaak sees the settlers slaughtering each other, he reports back to Oonban, his tribal elder. (Madawaak is in love with the man’s teenage daughter, Demasduit, who likes to hunt, which isn’t a traditional activity for women in her culture.) Oonban and the other village elders realize that upheaval is imminent and that a confrontation may be inevitable due to the Pale Ones’ growing presence on the coast. A raid on Straumfjord nearly succeeds before Freydis Eiriksdottir, Lief’s half sister, returns from exile. She’d been banished from Vinland after murdering women and children against explicit orders. Now she wants Vinland to launch a new Norse empire, safe from the encroaching cultures of Europe. Although she’s unpopular among the settlers, Freydis wins Gunnlogi, her brother’s sword, through trial by combat. She promises to eliminate or enslave the skraelingjar, but after Mooaumook, one of the Indigenous people, is captured, Freydis makes him a promise instead. Eventually, Oonban believes that he must marry Demasduit off to his people’s longtime enemies, the Farther People, in order to create a pact against the Pale Ones. Soon, the strong-willed Demasduit’s fate becomes entwined with Freydis’.
Davine channels a tremendous amount of research into this drama about a pivotal era in North American history. Vinland itself becomes a vivid presence in the story due to lines such as “The Broken Lands...got their name because of the way the ocean jutted into them. Cut deep swathes of churning brine into the open grassy plains and craggy hilltops.” There are also moments of culture shock that will fascinate readers, as when Mooaumook wonders of the Pale Ones’ horses, “How does one tame a nonhuman being?” The stories of Demasduit, Mooaumook, and Madawaak provide the emotional center of the narrative, but over the course of the novel, Davine’s character arcs lean toward darkness, denying many people safe endings, except in cases in which it’s least expected; in this, the author courts George R.R. Martin's audience, as the violence—and the pervasive bleakness—will strongly remind readers of A Game of Thrones (1996). There are scenes that depict rape and molten steel poured down someone’s throat as well as battles in which “Giant axes…cleaved [people] down their shoulders and split their necks or their chests.” Detailed gore isn’t out of place in a war novel, but the gratuitous descriptions become fatiguing, and what begins as an adventure ends up creaking under the weight of a grim realism. Still, Davine’s work is often effective, although he rakes readers over the coals for the denouement.
A well-crafted, if exceptionally violent, tale of conflict.Pub Date: April 30, 2021
ISBN: 978-1-64-786448-4
Page Count: 470
Publisher: Tamarind Hill Press
Review Posted Online: June 4, 2021
Review Program: Kirkus Indie
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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SEEN & HEARD
by Colleen Hoover ‧ RELEASE DATE: Jan. 13, 2026
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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