by A.V. Geiger ‧ RELEASE DATE: June 5, 2018
This sequel requires a read of its predecessor to understand what’s going on, and even then, the most dedicated fans will...
It’s one month after the events of Follow Me Back (2017), and police think pop star Eric Thorn has been murdered by obsessed fangirl Tessa Hart.
The truth: Tessa and Eric, now a couple, are living in a VW van in Mexico after framing Tessa for Eric’s “murder.” Dismissing Tessa’s valid fear of social media as distorted thinking, Eric sets up an anonymous Snapchat account to communicate with formerly pretend-dead idol Dorian Cromwell, who says he can help them. He helps them—right back into the high-profile life Eric desperately wanted to escape. For several reasons, Tessa can’t publicly come out as Eric’s girlfriend, so the young lovers decide to communicate via Snapchat (because that turned out really well in Mexico), and chaos and confusion ensue. Tessa’s agoraphobia seems to have cleared up overnight (running away from home after staging a murder will do that to a person?), but she still suffers from extreme anxiety triggered by male stalker Blair, who is still on the loose. Tessa and Eric make one bad decision after the next, making it impossible to feel bad for them. The story is somewhat exciting at times, but its predictability and convoluted supporting plot elements don’t do it any favors. It seems everyone is white.
This sequel requires a read of its predecessor to understand what’s going on, and even then, the most dedicated fans will still be lost. (Fiction. 14-adult)Pub Date: June 5, 2018
ISBN: 978-1-4926-4825-3
Page Count: 352
Publisher: Sourcebooks Fire
Review Posted Online: April 2, 2018
Kirkus Reviews Issue: April 15, 2018
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by A.V. Geiger
BOOK REVIEW
by A.V. Geiger
by Laura Nowlin ‧ RELEASE DATE: April 1, 2013
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
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New York Times Bestseller
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
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SEEN & HEARD
by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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