A gothic parable of social relations, this full-length work proceeds along the lines laid down in the author's exploratory...

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THE THREE TRIALS OF MANIREMA

A gothic parable of social relations, this full-length work proceeds along the lines laid down in the author's exploratory stories. Again the scene is precisely localized and graphically rendered; and again the devices for storytelling are pared down to bare essentials. In this case the confrontation between everyday reality and superreality is represented by Manirema's villagers and the mysterious interlopers who build their compound across the river. Initial curiosity increases to resentful suspicion when the townsfolk's friendly overtures are rebuffed; and as a few tenuous connections develop, suspicion turns to fear, for visitors to the new camp come back strangely intimidated and close-mouthed, except to imply that the town had best cooperate with the strangers. Unaccountable, annihilating invasions of domestic animals (sent from the compound?) combine with the terror of uncertainty to demoralize Manirema completely--then, as abruptly and inexplicably as it began, it ends. The invaders leave (the animals with them) and the reason given is unbearable fear of their neighbors. It is a lesson in social relativity, made good by Mr. Veiga's dogged adherence to a single point of view (the town's) and his refusal to spell out, or rule out, any causal relationship. Here his minimal tools serve him better than a full repertory; and though the novel may be too nervewracking for everybody's taste, it is a work of subtle, undeniable craftsmanship.

Pub Date: Aug. 11, 1970

ISBN: N/A

Page Count: -

Publisher: Knopf

Review Posted Online: N/A

Kirkus Reviews Issue: Aug. 1, 1970

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