All stops out in this harmonium staging of a boy-and-animal theme set in the Wisconsin farm country of the 1870's, in which the second banana is a wolf/dog. There's a traditional, ritually predictable cast: the boy Robbie who fairly rattles with true grit; his stern, honest, hard-working farmer-father, Pa; ditto Ma with the ladylike plus of dreaming of an organ in the parlor; a New England bred spinster schoolteacher who hammers home the verities of Ideals and Intellect; a seedy professor/naturalist, rich in lore if not in lucre; a young girl with braids and empathy; a mean kid who clubs animals, steals traps and beats horses. Of course there's a dance, house raisin' and manly talk about the Grange. The wolf, in all this blinding light, is but a mere shadow, a mere woof. Robbie trains the cub to behave like a dog, astounds the neighbors, works hard, wins a psychological victory against the mean kid in a horse race and sets his sights towards college. As for the wolfling--dress the animal in a plaid raincoat and you could take him anywhere on Fifth Avenue. This is the 1969 winner of the Dutton Animal Book Award, and another sampler for North's enormous audience.