An ambitious and imaginative series opener that mixes ecological allegory with character-driven fantasy.
A teenager grieving the loss of her father discovers a mysterious connection with two young otters from rival tribes in Mason and Moore’s YA fantasy novel, the first in a series.
Thirteen-year-old Ayana Outerbridge is headed north with her mother for another summer at her grandparents’ isolated homestead on the Pacific Northwest coast. Once these trips were times of joy—now, the experience feels hollow (“One minute, Ayana had a father. The next ― POOF! ― she didn’t”). At the same time, in the waters just offshore, a young river otter named Sleek violates tribal law by entering a sacred cave to retrieve a magical gift for Gloss, the headstrong daughter of the sea otter king. The cave—once part of a luminous, mind-awakening realm known as Liminal—has been overrun by a monstrous predator, and Sleek’s trespass could reignite the war between the river and sea otters. Gloss chafes under the strict rules that forbid females from hunting or wielding weapons. Her clandestine efforts to prove herself collide with Sleek’s mission. Unbeknownst to both of them, Ayana’s fate may be linked to theirs. The story effectively blends naturalism with high fantasy. The authors construct a dense but coherent mythos that frames the ocean as both a literal and symbolic frontier, rendering underwater societies with distinct hierarchies, dialects, and beliefs. Gloss, in particular, emerges as a standout character—a female warrior determined to break caste and gender restrictions (“I will defend my Raft just as you do. Better than you do.”) Ayana’s arc is more introspective, centering around her grief and alienation. Her skin condition (vitiligo) and conversations with her late father’s memory add emotional depth, though her connection to the fantasy plotline remains mostly suggestive in this first volume in Mason and Moore’s series. While the novel’s early chapters can be dense with exposition, especially in the undersea scenes, the pacing soon quickens, and readers are rewarded with richly imagined action, interpersonal tension, and a final act that sets the stage for an expansive saga.
An ambitious and imaginative series opener that mixes ecological allegory with character-driven fantasy.Pub Date: March 1, 2025
ISBN: 9781735833019
Page Count: 524
Publisher: N/A
Review Posted Online: May 5, 2025
Kirkus Reviews Issue: July 1, 2025
Review Program: Kirkus Indie
Black is building a complex mythology; now is a great time to tune in.
Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.
Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.
Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)Pub Date: Jan. 2, 2018
ISBN: 978-0-316-31027-7
Page Count: 384
Publisher: Little, Brown
Review Posted Online: Sept. 25, 2017
Kirkus Reviews Issue: Oct. 15, 2017
A fast-paced dip into the possibility of a world without human emotions.
A teenage girl refuses a medical procedure to remove her heart and her emotions.
June lives in a future in which a reclusive Scientist has pioneered a procedure to remove hearts, thus eliminating all “sadness, anxiety, and anger.” The downside is that it numbs pleasurable feelings, too. Most people around June have had the procedure done; for young people, in part because doing so helps them become more focused and successful. Before long, June is the only one among her peers who still has her heart. When her parents decide it’s time for her to have the procedure so she can become more focused in school, June hatches a plan to pretend to go through with it. She also investigates a way to restore her beloved sister’s heart, joining forces with Max, a classmate who’s also researching the Scientist because he has started to feel again despite having had his heart removed. The pair’s journey is somewhat rushed and improbable, as is the resolution they achieve. However, the story’s message feels relevant and relatable to teens, and the artwork effectively sets the scene, with bursts of color popping throughout an otherwise black-and-white landscape, reflecting the monochromatic, heartless reality of June’s world. There are no ethnic or cultural markers in the text; June has paper-white skin and dark hair, and Max has dark skin and curly black hair.
A fast-paced dip into the possibility of a world without human emotions. (Graphic speculative fiction. 12-18)Pub Date: June 13, 2023
ISBN: 9780063116214
Page Count: 304
Publisher: Greenwillow Books
Review Posted Online: April 24, 2023
Kirkus Reviews Issue: May 15, 2023
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