Buy it along with a wooden tool set as a gift for an enterprising young carpenter.
Are there any tots who don’t like to play with toy tools?
Most likely not, and this appealing and inventive story features animated tool characters, each with its own individual traits. T Square rounds up a crew of tools to clean up a messy yard and build a tool shed. T Square and Pencil draft plans; Wheelbarrow gathers materials; Saw saws Wood; Drill drills Screws; Level inspects; Glue glues on Roof Tiles, etc. Together, they work hard, and when the project is finished, they go to sleep in an organized toolshed feeling satisfied. The colored digital illustrations are imaginative (each tool has eyes, and some have legs), with sound effects offering opportunities for participation: “Brush brushes Paint. SWISH! SWASH! SLOP!” Mild puns add to the fun, as when T Square holds the flashlight to illuminate the darkened outbuilding and says, “Let me shed some light on things!” Diagrammatic arrows with large letters nail down the interchange among the tools and cleverly enforce the concept of working together. Meshon’s animated style in this story could easily be turned into a short film cartoon.
Buy it along with a wooden tool set as a gift for an enterprising young carpenter. (Picture book. 4-8)Pub Date: March 25, 2014
ISBN: 978-1-4424-9601-9
Page Count: 40
Publisher: Atheneum
Review Posted Online: Dec. 17, 2013
Kirkus Reviews Issue: Jan. 1, 2014
Even if the worst thing this book prevents is an unwanted noogie, it is still doing a service.
Miles may be 6, but he’s in charge of his body anyway, isn’t he?
In this montage of simple, cartoony characters set against photographic backgrounds, readers are introduced to Miles, who is about to celebrate his sixth birthday with his family and desperately looks forward to his favorite: “double-meaty-pepperoni-sausage-pineapple-hold-the-onions-extra-cheesy birthday pizza!” But before the pizza man arrives, Grandpa has to give Miles’ cheek a pinch, and brother Scotty bestows a serious noogie, and Aunt Millie sends a suffocating hug (via Miles’ mom), and Dad lifts him off the floor (“ Dad, please put me down!”). Then a guy in a chicken suit arrives to tickle Miles. Miles blows his stack before retreating to his room for some time alone. Mom knocks. “Am I in trouble?” asks Miles. “No,” says his mom. “We’re here to tell you how proud we are of you.” Dad pipes in: “No one should ever touch you in ways you don’t want to be touched.” Though the story is ham-fisted to the point of being a pork shoulder with the bone in, and though neither the artwork nor the text will last, the point probably will sink in. As the endnote states, “Roughly 90% of the harm done to children is not by a stranger, but by someone they know.”
Even if the worst thing this book prevents is an unwanted noogie, it is still doing a service. (Picture book. 4-8)Pub Date: Sept. 16, 2014
ISBN: 978-0-9894071-3-7
Page Count: 32
Publisher: The Mother Company
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
The refrain, “I love being me,” offers a worthwhile affirmation, but cookie-cutter faces undermine the message about...
A book that pays homage to the versatility of black hair.
A dark-skinned black girl, eyes closed, face forward, greets readers on the cover against a bright yellow background, and she wears a pink bow (die-cut out of the case) in her wavy updo. This is one of many hairstyles featured in the illustrations, designed to help readers appreciate the potential for styling natural Afro hair. “Bomb braids,” “pom-pom puffs” and “‘fro-hawk” (an Afro-styled mohawk) also appear. Like these, most of the hairstyle names incorporate alliteration, making them fun to read aloud. At first glance, readers might think this book is about one girl’s hair—which is possible, given how many styles one head of afrotextured hair can sport—but skin color changes, as do clothes, earrings, and other details that are easily altered, although every girl holds the same face-front, eye-closed position. But the sameness of each face leaves no room for variations in other features such as the eyes, lips, and nose. Hence, young readers might consider this a paper version of the video games that allow changes in hairstyles on a face that has limited or no customizability—which also limits the book’s usefulness as multicultural literature.
The refrain, “I love being me,” offers a worthwhile affirmation, but cookie-cutter faces undermine the message about diversity. (Picture book. 4-8)Pub Date: Oct. 15, 2019
ISBN: 978-1-9848-9554-7
Page Count: 32
Publisher: Doubleday
Review Posted Online: Aug. 11, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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