A self-consciously experimental novel from Israeli writer Yehoshua (Five Seasons, A Late Divorce, etc.) in which a family's history is told backwards in one-sided conversations. There are five conversations, each accompanied by a brief foreword and afterword—sort of program notes—that explicate as well as wrap up the story. The conversations themselves, with the exception of the final one, are those of strangers who recall their subsequently significant interventions in the history of the Mani family, currently of Jerusalem but once residents of Greece. Beginning in present-day Israel, Hagar Shiloh, back on the kibbutz where she was reared, tells her mother how she saved Mr. Mani, the father of her lover, from committing suicide. Conversation number two, between a German soldier and his grandmother, takes place on Crete during WW II and accounts for Mr. Mani's childhood escape from the Germans. The third conversation (which has appeared in The New Yorker) details the reprieve that British authorities devise in WW I for the then-current Mr. Mani, on trial for treason. And so genealogy retreats through conversations with a Polish doctor, whose sister's departure from Jerusalem drove Moshe Mani to suicide in 1899, and ends as Avraham Mani, in Athens, confesses in 1848 to his aged rabbi that he has impregnated his widowed daughter-in-law so that the family would continue. Not as dryly schematic as Martin Amis's Time's Arrow, but the structure, however innovative and brilliantly executed, is constraining; and retrohistory too much resembles all those confusing biblical lists of A's begetting B's. Still, an interesting, and certainly challenging, read.
Pub Date: March 1, 1992
ISBN: 0-385-26792-4
Page Count: 352
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1992
IN THE NEWS
A rich, deeply felt novel about family ties, immigration, sexual longing, faith, and desire. Simultaneously raw and luminous.
In U.S.–based Colombian author Delgado Lopera's coming-of-age novel, a 15-year-old Colombian girl struggles with her identity and her burgeoning sexuality.
Dragged unwillingly from Bogotá to Miami, crammed with her mother and sister into her grandmother's apartment at the Heather Glen Apartment Complex, Francisca misses her friends and her former life. But she can't go home, because "this wasn't a Choose Your Own Migration multiple-choice adventure." In a scene early in the book, her mother insists on baptizing a child she miscarried 17 years before, using a plastic doll from a discount store as a stand-in baby. Manic one moment and sad the next, Mami has joined the Iglesia Cristiana Jesucristo Redentor, an evangelical Colombian church in "a stinky room in the Hyatt Hotel nobody cared to vacuum." In the car on their way there, the doll stares at Francisca with a fixed, plastic smile. "Are you happy now, asshole, I wanted to say....You're still dead, pendejo." With a whip-smart, unapologetic voice peppered with Colombian slang, Francisca pulls us into her new life in "Yanquilandia." Trouble arises when she meets Carmen the pastor's daughter, who wants her to accept Jesus into her heart. Francisca imagines God in "a dentist's waiting room checking in with the receptionist every so often, Did Francisca receive my son in her heart yet? (said no God ever)." Instead, she finds herself falling in love with Carmen, threatening her family's tenuous place in the immigrant community. Though the plot revolves around a coming-out story, the great strength of Delgado Lopera's writing lies in its layered portrayals of these characters and their world. "Women in my family possessed a sixth sense...from the close policing of our sadness: Your tristeza wasn't yours, it was part of the larger collective female sadness jar to which we all contributed."
A rich, deeply felt novel about family ties, immigration, sexual longing, faith, and desire. Simultaneously raw and luminous.Pub Date: March 4, 2020
ISBN: 978-1-936932-75-7
Page Count: 240
Publisher: Feminist Press
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
PERSPECTIVES
PERSPECTIVES
The inestimably gifted Boyle (The Road to Wellville, 1993, etc.) puts on a preacher's gown and mounts the pulpit to proclaim a hellfire sermon against bigotry and greedin this rather wan updating of The Grapes of Wrath. If Boyle is to be believed, Los Angeles County has gradually evolved into a kind of minimum-security prison, with the prosperous Anglos living in fear of their lives behind the walls of their suburban security compounds. Delaney and Kyra Mossbacher moved as far from the city as they could, and settled in a tastefully ``authentic'' tract development just above Topanga Canyon. Au courant to a fault, Kyra brings home the bacon as a hot-shot real estate agent, while Delaney stands in as Mr. Momcooking their lowfat meals, seeing after their pets and their son, and writing a monthly column for a nature magazine. Below them, in the Canyon itself, C†ndido and AmÇrica Ricon have crossed the Mexican border illegally and seek refuge of their own in the makeshift camp they've erected. C†ndido meets Delaney at the beginning of the story when Delaney runs him down with his car, and this pretty much establishes the tone of their relations throughout. C†ndido, as hapless as his namesake in Voltaire, wants only to work and look after his pregnant wife, but he's thwarted on every side by an exasperated white society with no room for him. Implausible circumstances keep bringing Delaney and C†ndido back to each other, and the tension that builds between them becomes an image of the ferocity that smolders within the city around themexploding in an apocalyptic climax that combines a brushfire and a riot, with an earthquake thrown in for good measure. A morality play too obvious to be swallowed whole: Boyle's first real lemon so far. (First printing of 100,000; First serial to Los Angeles Times Magazine; $100,000 ad/promo; author tour)
Pub Date: Sept. 1, 1995
ISBN: 0-670-85604-5
Page Count: 368
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1995
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