A fun novel that manages to blend romance, family drama, and animal facts.
When her famous father returns from the dead, a prickly scientist’s life is thrown into chaos.
Christa Liddle was only a toddler when her father’s plane crashed in the Alaskan wilderness. But his death was more than just a personal tragedy—it was also a global one, because Jasper Liddle was a famous conservationist and explorer with a television show and even a line of stuffed animals. Christa, her two sisters, and her mother eventually moved on after his presumed death, but Christa never fully recovered from being in the spotlight. As an adult, she spends her days researching snails on a remote island in the Indian Ocean, relishing her solitude and the lack of (human) company. That is, until her father turns out to be alive after all. Christa winds up back in her family home and surrounded by people with whom she has complicated relationships—and that includes Nate, a family friend who is now quite attractive and quite obviously into her. As Jasper goes on an apology and explanation tour that includes an appearance on Oprah, Christa has to decide if forgiveness is possible…and whether a return to civilization (and a life with companions other than snails) is in the cards for her. Waxman displays her usual talent for creating main characters who are wry and great with a one-liner. Although the plot could have been heavy, Waxman and her characters keep it light and focus on the humor of Jasper’s misadventures. Christa is endearingly antisocial (as she says when explaining why she prefers the company of snails: “Humans talk so much and look at you expectantly, as if you’d been paying attention”), and it’s satisfying to watch her come out of her shell as she accepts the chaos of her family and learns to make peace with the past.
A fun novel that manages to blend romance, family drama, and animal facts.Pub Date: April 16, 2024
ISBN: 9780593198780
Page Count: 400
Publisher: Berkley
Review Posted Online: Jan. 20, 2024
Kirkus Reviews Issue: Feb. 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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