On-the-nose humor geared for new parents and precocious kids.
An omniscient everybaby instructs other infants on the care and feeding of a new mother.
“Congratulations! It’s a…MOM!…You’ve introduced yourself, had a snuggle, and shared a meal. BUT…” A thought balloon reveals a newborn baby’s most pressing concern—“WHAT NOW?”—as the little one is cradled by Mom in a hospital bed. Fortunately, the narrator is here to walk a theoretical all-baby readership through Mom Care 101, dispensing both affirmations (“You’ve been preparing for this since you were the size of an avocado. If anyone can take good care of her, it’s you”) and practical advice (“Your new mom will require round-the-clock care, so it’s best to plan for staying up all night”). (Ah! So that’s why babies are awake at all hours.) In case it isn’t obvious by now, the book’s abundant humor is suited to adults familiar with new-parent agita (“Don’t plan on her wearing any one outfit for long. New moms are notorious for spit-ups and spills. It’s all part of the fun!”). While many kids will enjoy Gutierrez’s cartoonish digital art featuring adorable babies in a range of skin colors, some may be confused rather than amused by images of the book’s despondent moms. In one such illustration, a “fussy” (crying, overwhelmed, and defeated) mother sits on the floor as a baby in a bouncy seat yowls across the room.
On-the-nose humor geared for new parents and precocious kids. (Picture book. 4-8)Pub Date: March 10, 2026
ISBN: 9781623546427
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: Oct. 25, 2025
Kirkus Reviews Issue: Dec. 1, 2025
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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