Elyse's struggles toward self-confidence will resonate with fans of R.J. Palacio's Wonder (2012) and all readers learning...
Due to a rare condition called cognadjivisibilitis, anything people say about 11-year-old Elyse appears on her arms and legs—part temporary tattoo, part eczema.
Good words soothe, while bad ones itch "more than a thousand mosquito bites." Her friend Jeg has always protected her from mean comments, but the pressure of a new clique draws Jeg away, leaving Elyse to flounder and fend for herself—as if starting middle school weren't hard enough already. Soon, rashes like PATHETIC and WORTHLESS break out: words Elyse thinks about herself. When mysterious notes challenge her to try out to lead the sixth-grade class trip, she reasons that winning will net her enough positive comments to cure the itch. But as she awkwardly makes new friends, chronicling her progress with (very careful) self-deprecating humor in short chapters and notes to her future self, she realizes, "You couldn't just read them; you had to feel them, too." The unsteady emotions of middle school are palpable in Cooper's debut, from trying on identities to believing moments that pass like a blush will last forever; even teachers learn to grow. CAV is both a gentle dig at anti-bullying platitudes—words can and do hurt—and a reminder that words can heal.
Elyse's struggles toward self-confidence will resonate with fans of R.J. Palacio's Wonder (2012) and all readers learning how to be comfortable in their own skins. (Fiction. 9-13)Pub Date: July 12, 2016
ISBN: 978-0-374-30287-0
Page Count: 288
Publisher: Farrar, Straus and Giroux
Review Posted Online: March 29, 2016
Kirkus Reviews Issue: April 15, 2016
Fast-paced and plot-driven.
In his latest, prolific author Gratz takes on Hitler’s Olympic Games.
When 13-year-old American gymnast Evie Harris arrives in Berlin to compete in the 1936 Olympic Games, she has one goal: stardom. If she can bring home a gold medal like her friend, the famous equestrian-turned-Hollywood-star Mary Brooks, she might be able to lift her family out of their Dust Bowl poverty. But someone slips a strange note under Evie’s door, and soon she’s dodging Heinz Fischer, the Hitler Youth member assigned to host her, and meeting strangers who want to make use of her gymnastic skills—to rob a bank. As the games progress, Evie begins to see the moral issues behind their sparkling facade—the antisemitism and racism inherent in Nazi ideology and the way Hitler is using the competition to support and promote these beliefs. And she also agrees to rob the bank. Gratz goes big on the Mission Impossible–style heist, which takes center stage over the actual competitions, other than Jesse Owens’ famous long jump. A lengthy and detailed author’s note provides valuable historical context, including places where Gratz adapted the facts for storytelling purposes (although there’s no mention of the fact that before 1952, Olympic equestrian sports were limited to male military officers). With an emphasis on the plot, many of the characters feel defined primarily by how they’re suffering under the Nazis, such as the fictional diver Ursula Diop, who was involuntarily sterilized for being biracial.
Fast-paced and plot-driven. (Historical fiction. 9-12)Pub Date: Oct. 7, 2025
ISBN: 9781338736106
Page Count: 368
Publisher: Scholastic
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
A pleasing premise for book lovers.
A fantasy-loving bookworm makes a wonderful, terrible bargain.
When sixth grader Poppy Woodlock’s historic preservationist parents move the family to the Oregon coast to work on the titular stately home, Poppy’s sure she’ll find magic. Indeed, the exiled water nymph in the manor’s ruined swimming pool grants a wish, but: “Magic isn’t free. It cosssts.” The price? Poppy’s favorite book, The Lion, the Witch, and the Wardrobe. In return she receives Sampson, a winged lion cub who is everything Poppy could have hoped for. But she soon learns that the nymph didn’t take just her own physical book—she erased Narnia from Poppy’s world. And it’s just the first loss: Soon, Poppy’s grandmother’s journal’s gone, then The Odyssey, and more. The loss is heartbreaking, but Sampson’s a wonderful companion, particularly as Poppy’s finding middle school a tough adjustment. Hartman’s premise is beguiling—plenty of readers will identify with Poppy, both as a fellow bibliophile and as a kid struggling to adapt. Poppy’s repeatedly expressed faith that unveiling Sampson will bring some sort of vindication wears thin, but that does not detract from the central drama. It’s a pity that the named real-world books Poppy reads are notably lacking in diversity; a story about the power of literature so limited in imagination lets both itself and readers down. Main characters are cued White; there is racial diversity in the supporting cast. Chapters open with atmospheric spot art. (This review has been updated to reflect the final illustrations.)
A pleasing premise for book lovers. (Fantasy. 9-12)Pub Date: May 2, 2023
ISBN: 9780316448222
Page Count: 320
Publisher: Little, Brown
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
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