An imaginative and entertaining, if underedited and salacious, sex-and-sorcery romp.
A witch’s persecution of her stepdaughters leaves ample opportunity for dalliances in this fantasy/romance.
Following The Scarlett Mark (2020), this second installment of Lane’s A Reign of Blood and Magic series finds the sorceress Cynara presiding over the Kingdom of Velez, where she’s hated by everyone, including her son, King Lowell. She’s known as The Ebony Queen because of her mainly black wardrobe and blacker heart. Craving more dark power, she meets with the fallen angel Daemonis, who promises to help her with a mega-spell that will precipitate Ragnarök and gifts her immediately with the power to cause storms in distant places. She deploys tempests against the three stepdaughters who have fled to far-flung lands to escape her wrath. Princess Rose gets swept overboard during a storm at sea and is saved by studly pirate Edwin Perrow. Princess Scarlett, happily engaged to Lord Nicolai Graydon, gets engulfed by a sand tornado that only abates when the war god Odin gallops across the sky to her rescue atop his eight-legged horse, Sleipnir. Princess Ruby and her handsome guardian Garrett Morris endure the worst ordeal after a snowstorm drives them into a cave that Cynara seals shut with lightning. A dayslong slog through a tunnel takes them to a shallow pool that they have to wade through, leaving them no alternative except to get naked and fall into each other’s arms. Meanwhile, back in Velez, Sister Mary Margaret (who is the princesses’ mother, Regana, in disguise) and the Lord Chancellor take time out from plotting against Cynara to have sex in church. And Cynara takes time out from witchery to fondle the manhood of her stable groom. Lane’s romantic fantasia is a talkfest with dialogue that’s sometimes tart and punchy (“You lie once, I take your tongue. Twice, you lose your arm”) but often overripe (“I’d plunder your lips right now, causing them to swell with desire, and I wouldn’t stop pillaging your lift until my rudder—”) or indecipherable (“The battle cry doesn’t spy her last breath until the soldier accepts his final mark”). Still, Cynara makes a compelling villain—a scene where she ferrets the truth out of Mary Margaret has a chilling ruthlessness—and the otherworldly effects are vivid and well rendered in this energetic tale.
An imaginative and entertaining, if underedited and salacious, sex-and-sorcery romp.Pub Date: N/A
ISBN: N/A
Page Count: 310
Publisher: Self
Review Posted Online: Sept. 18, 2021
Review Program: Kirkus Indie
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
