An intriguing thriller that explores the toll violence takes on its victims.
A London couple struggles with the aftermath of a violent crime and an upcoming trial.
In a sea of thrillers that feel dishearteningly similar or too reliant on shocking twists, this book stands out, not only for its propulsive energy but also for its riveting, unorthodox examination of the devastating aftermath of violence. Isabel and Edward, a young married couple in London, learn the truth of this firsthand. In 2001, a man who will become known as the South London Invader breaks into their home. He forces Edward to tie up Isabel and drags him to another room, then returns to the bedroom to assault Isabel. The couple survives the attack—later, as the Intruder’s crimes escalate, other victims will not be so lucky—but their marriage eventually crumbles, annihilated by trauma, fear, and Edward’s inability to discuss what happened (particularly to him). Twenty-five years later, a retired police officer named Nigel Wood is on trial for the rapes and murders, and Isabel and Edward, now divorced and in their 50s, find themselves repeatedly thrown together as they wait with other victims to give their statements in court. But though it touches on the courtroom drama, this is not a legal thriller: Dean focuses on the years before and after the attack, revealing how violence exposed cracks in the marriage and destroyed the lives of all involved. She doesn’t tell the harrowing story in chronological order, but the narrative is easy to follow, and she builds a startling level of tension as the moment nears for Isabel and Edward’s testimony. She invests readers not only in the outcome of the case but also in the fates of two people split apart by terrifying events outside their control.
An intriguing thriller that explores the toll violence takes on its victims.Pub Date: April 15, 2025
ISBN: 9780593831137
Page Count: 336
Publisher: Viking
Review Posted Online: April 4, 2025
Kirkus Reviews Issue: May 1, 2025
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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BOOK REVIEW
BOOK REVIEW
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PERSPECTIVES
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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