by Abigail Hing Wen ‧ RELEASE DATE: Jan. 7, 2020
An entertaining and heartfelt debut that takes readers on a roller-coaster ride of romance and self-discovery.
A sheltered teen with a passion for dance finds love, drama, and herself at a summer camp in Taiwan.
Eighteen-year-old Everett “Ever” Wong braces herself for a summer of curfews and vocabulary lessons after her parents reveal that they signed her up for a Mandarin language and Chinese culture program. But upon arriving at Chien Tan, Ever quickly discovers how the program earned its nickname, Loveboat. As her new roommate, Sophie, says, “Ever, you are never going to meet this many eligible guys in one place.” Ever seizes this opportunity away from her strict parents to experience a slew of forbidden activities, from sneaking out at night with other campers for illicit clubbing to taking classes at a local ballet studio. Complications arise when she unintentionally stumbles into a love quadrangle involving bad boy Xavier, handsome prodigy Rick, and glamorous Sophie. The novel evokes the style of bingeworthy Taiwanese TV dramas, complete with dramatic plot developments and characterizations that occasionally toe the line between exaggeration and caricature. Between hookups, glamour photo shoots, and camp classes, Wen addresses a number of hot-button issues for many Asian Americans, the foremost being the struggle to reconcile immigrant parents’ expectations with personal aspirations. Characters are predominantly Chinese American; a secondary character is Indigenous Taiwanese.
An entertaining and heartfelt debut that takes readers on a roller-coaster ride of romance and self-discovery. (author’s note) (Fiction. 14-18)Pub Date: Jan. 7, 2020
ISBN: 978-0-06-295727-6
Page Count: 432
Publisher: HarperTeen
Review Posted Online: Nov. 6, 2019
Kirkus Reviews Issue: Dec. 1, 2019
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by Abigail Hing Wen ; illustrated by Yuna Cheong & Brandon Wu
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BOOK TO SCREEN
by Kathleen Glasgow ‧ RELEASE DATE: Aug. 30, 2016
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
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New York Times Bestseller
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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by Laura Nowlin ‧ RELEASE DATE: Feb. 6, 2024
A heavy read about the harsh realities of tragedy and their effects on those left behind.
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In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.
Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.
A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)Pub Date: Feb. 6, 2024
ISBN: 9781728276229
Page Count: 416
Publisher: Sourcebooks Fire
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
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