A Velveteen Rabbit for kids of helicopter parents; be prepared for children to ask if their own favorites have backups.
A tale to break a caregiver’s heart: the beloved stuffed animal is lost, and the backup fails to satisfy.
Told from the backup bunny’s perspective, Fluffy’s tale begins in Mom’s sock drawer, where he waits to swoop in and save the day should Max ever lose Bunny. In the meantime, the lonely toy dreams of what it might be like to be played with and loved instead of trapped in a drawer with the mismatches, the holey socks, and that foot smell. But when Bunny turns up missing one bedtime and Fluffy is pressed into Max’s arms, it doesn’t take the boy long to notice (and reject) the substitute. But Max still plays with him a bit, enough to get him filthy. And it’s while hanging on the clothesline that Fluffy spies Bunny in the treehouse…and keeps mum; this is his big chance. The guilt eats at him a bit amid the fun, but at bedtime, when Max again cries for Bunny, he can’t take it anymore and spills the beans. It’s back to the sock drawer. But not for long; Max has arms enough for two stuffed bunnies. Stones’ illustrations depict a wonderfully expressive, long-limbed, floppy-eared stuffed rabbit. Details are spare to keep the focus on feelings. Max and his mother are white with brown hair.
A Velveteen Rabbit for kids of helicopter parents; be prepared for children to ask if their own favorites have backups. (Picture book. 4-8)Pub Date: March 6, 2018
ISBN: 978-0-7358-4282-3
Page Count: 32
Publisher: NorthSouth
Review Posted Online: Dec. 2, 2017
Kirkus Reviews Issue: Jan. 1, 2018
BOOK REVIEW
BOOK REVIEW
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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