Chang has heart, there’s no doubt about that, but this novel is a misfire.
A college student with a thing for music, movies, and numbers falls in love.
Young Wang, the protagonist of Chang’s debut novel, has a thing for numbers. The New York University student keeps an updated list of them, good and bad: 1, for example, is “the first, the best. GOOD,” while 44 is “SO BAD. ALWAYS AVOID.” So when his uncle, Su Su, tells him that “we only get seven great loves in life,” he takes it seriously, especially when he meets Erena, a fellow NYU student, at the used CD and DVD store where he works. (As you may have guessed, this novel is set in the 1990s.) Erena, whose quirk meter is off the charts, introduces herself thusly: “I’m Erena. Erena Ji-Yoon Renee Valentina Yasuda.…It’s a lot, but it accurately conveys the lineage of this petite package of pulchritude—little bit of this, little bit of that. It’s like the whole Axis ran riot over my entire family tree! Hello? Humor? I made a funny?” The novel chronicles the relationship between Young and Erena, interspersed with Young’s remembrances of his previous loves, his relationship with his family and his best friends, and letters from Su Su, a hippie who has embraced a peripatetic lifestyle. Unfortunately, these threads never come together—Young is a depressed cipher, and Erena, who says things like “So, voilà, bingobango,” is such a Manic Pixie Dream Girl archetype that she makes Natalie Portman’s character in Garden State look like Nurse Ratched. (Young, himself a cinephile, would get that reference.) The pace of the novel is slow despite the hyper dialogue and Chang’s extremely liberal use of ALL CAPS and italics, and the ending is unsatisfying.
Chang has heart, there’s no doubt about that, but this novel is a misfire.Pub Date: May 7, 2024
ISBN: 9781250910783
Page Count: 400
Publisher: Flatiron Books
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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