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GIL MARSH

What’s ultimately lacking, though, is a compelling link between myth and contemporary tale.

Smart, handsome, athletic Gil Marsh, 17, hero of this contemporary take on the Gilgamesh epic (and first literary bromance) thinks he has no competition. Then hirsute Enko Labette shows up at Uruk High.

More than Gil’s equal, Enko’s popular, too. Infuriated, Gil provokes a physical confrontation that clears the air and, as the cliché provides, cements an intense, lasting bond between them. As in the epic, Bauer offers hints but ultimately punts on whether that bond is sexual. (Both date girls, but the boys’ passionate friendship is paramount.) After a few brief adventures, Enko succumbs to a sudden illness and dies. Grief-stricken, Gil flees high school in Connecticut for Canada, seeking Enko’s grave and the provenance of the garnet ring, a family heirloom, Enko gave him. Here the plot slows to a crawl. Though interspersed with evocative tidbits of Québécois history and culture, Gil’s quest, goals and expectations lack urgency and clarity. Does he really believe he can restore Enko to life? Enko himself fades into irrelevance as Gil’s focus turns to daily survival. Simple vocabulary, staccato style and straightforward syntax convey classic appeal and make this a good choice for reluctant readers. Genuine strengths include a likable hero and vivid sense of place.

What’s ultimately lacking, though, is a compelling link between myth and contemporary tale. (French glossary, author’s note) (Fiction. 12 & up)

Pub Date: Feb. 28, 2012

ISBN: 978-0-375-86933-4

Page Count: 192

Publisher: Random House

Review Posted Online: Dec. 6, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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LIAR'S BEACH

From the Liar's Beach series , Vol. 1

This scorching glimpse of life (and death) among the moneyed classes hits its marks, if a bit mechanically.

A summertime stay on Martha’s Vineyard confirms everything Linden thinks about rich people.

Best known for emotional YA romances, Cotugno tries her hand at an emotional whodunit—and readers who can roll with the weird attraction her protagonist seems to exert on the two main young women here may find themselves caught up in an engrossing whirl of, as the title promises, lies, secrets, and louche living. Hardly has he arrived for a two-week stay at palatial August House than Michael Linden and his host and boarding school roommate Jasper’s twin sister, Eliza, are bedroom-bound; his ghosted former platonic friend Holiday turns up; and Greg, despised boyfriend of another houseguest, winds up in a coma after an apparent accident. Dragged along by Holiday, who, along with inexplicably letting bygones be bygones, turns out to be an enthusiastic amateur sleuth, scholarship student Linden finds plenty of fuel for his (supposedly) secret resentment of the privileged classes and the way they can get away with anything. Though not, as it turns out after a comfortably conventional denouement complete with surprise confession, murder. Also, as a tease at the end suggests, for all that he comes clean about several secrets of his own, Linden leads the pack in the “things to hide” department. Aside from one prominent supporting character—a brown-skinned lacrosse champion—the central cast reads White.

This scorching glimpse of life (and death) among the moneyed classes hits its marks, if a bit mechanically. (Mystery. 14-18)

Pub Date: May 2, 2023

ISBN: 9780593433287

Page Count: 288

Publisher: Delacorte

Review Posted Online: March 13, 2023

Kirkus Reviews Issue: April 1, 2023

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GIRL IN PIECES

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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