A lightweight but amusing farce that pokes fun at political turmoil.
Bender explores the bizarre but familiar world of political optics in this satirical comedy about a public relations specialist for an authoritarian president.
In the near future, the American government operates under the thumb of a dictatorial man-child—a former pop idol referred to exclusively as “Our Leader.” The president’s megalomaniacal impulses are kept in check by his beleaguered staff, particularly by crisis communications manager Blake Hamner (the N is silent). Blake has made a name for himself as the PR wunderkind who paved the way for Our Leader’s electoral victory, but two years of placating the public and the erratic president have left him questioning his choices. After one of Our Leader’s robot attack dogs runs amok and mauls two people, Blake suddenly finds himself in an escalating series of crises he can’t escape: His sadistic intern is promoted above him, a secret government operation is revealed to the public, and a masked revolutionary is inciting a rebellion against the president. Desperate to regain control of his life and maintain his strained marriage amid the chaos, Blake employs increasingly ridiculous tactics with disastrous results, all while promising himself that one day he’ll quit his job. In a tale that’s reminiscent of political farces such as the HBO TV series Veep, Bender employs a smooth, amusing, and straightforward prose style that’s briskly paced. The story is frequently absurd and often doubles down on the buffoonish ineptitude of Our Leader and the people with whom he surrounds himself. Its tone is irreverent, and readers looking for a quick chuckle will likely enjoy Bender’s winking comedy, which is punctuated with genuinely sweet, sincere moments. That said, it uses its trappings of dystopia and revolution as mere window dressing, so readers who may be looking for incisive political satire or an insightful examination of government ethics should look elsewhere.
A lightweight but amusing farce that pokes fun at political turmoil.Pub Date: Feb. 22, 2021
ISBN: N/A
Page Count: 205
Publisher: Self
Review Posted Online: Jan. 5, 2021
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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