A lightweight but amusing farce that pokes fun at political turmoil.
Bender explores the bizarre but familiar world of political optics in this satirical comedy about a public relations specialist for an authoritarian president.
In the near future, the American government operates under the thumb of a dictatorial man-child—a former pop idol referred to exclusively as “Our Leader.” The president’s megalomaniacal impulses are kept in check by his beleaguered staff, particularly by crisis communications manager Blake Hamner (the N is silent). Blake has made a name for himself as the PR wunderkind who paved the way for Our Leader’s electoral victory, but two years of placating the public and the erratic president have left him questioning his choices. After one of Our Leader’s robot attack dogs runs amok and mauls two people, Blake suddenly finds himself in an escalating series of crises he can’t escape: His sadistic intern is promoted above him, a secret government operation is revealed to the public, and a masked revolutionary is inciting a rebellion against the president. Desperate to regain control of his life and maintain his strained marriage amid the chaos, Blake employs increasingly ridiculous tactics with disastrous results, all while promising himself that one day he’ll quit his job. In a tale that’s reminiscent of political farces such as the HBO TV series Veep, Bender employs a smooth, amusing, and straightforward prose style that’s briskly paced. The story is frequently absurd and often doubles down on the buffoonish ineptitude of Our Leader and the people with whom he surrounds himself. Its tone is irreverent, and readers looking for a quick chuckle will likely enjoy Bender’s winking comedy, which is punctuated with genuinely sweet, sincere moments. That said, it uses its trappings of dystopia and revolution as mere window dressing, so readers who may be looking for incisive political satire or an insightful examination of government ethics should look elsewhere.
A lightweight but amusing farce that pokes fun at political turmoil.Pub Date: Feb. 22, 2021
ISBN: N/A
Page Count: 205
Publisher: Self
Review Posted Online: Jan. 5, 2021
Review Program: Kirkus Indie
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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