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HOW TO LOVE YOURSELF IN A WORLD THAT WON'T

A concrete, even coarse, approach to self-empowerment and personal fulfillment.

A professional counselor offers pragmatic advice on self-empowerment in this debut nonfiction book.

The book’s trademarked “S.H.I.F.T. Framework,” per author Blevins, is “the permission slip you’ve been waiting for to stop waiting, stop doubting, and start living like you belong in your own damn life.” These opening lines are indicative of the blunt, pragmatic advice offered to readers who struggle with self-doubt and self-destructive behavior. Offered as a “Five-Part Blueprint for Changing Your Life,” the S.H.I.F.T. approach begins with “Stop,” as Blevins encourages readers to stop giving power to aspects of their lives that drag them down or distract from their healing. The second step, “Hype” (“If you want to thrive, you must hype yourself up”) is followed by “Innovate,” which urges readers to reevaluate their approaches to life and decision-making processes that aren’t working. Geared toward self-empowerment, the book’s final steps, “Fight” and “Thrive,” both center on taking proactive approaches to “owning your life so thoroughly that no one else can dictate how you experience it.” The book’s no-nonsense approach to self-improvement centers on individual liberation from societal expectations—it is dedicated, for instance, to “the unseen, unheard, and underestimated”—but Blevins is careful to emphasize the importance of empathy and self-awareness in relations with others. As a self-identified “white, heterosexual male,” Blevins acknowledges his own racial “privilege” and questions racial color-blindness as an effective tool to combat discrimination, calling out those who “ignore people’s experiences and pretend systemic inequality doesn’t exist.” He similarly critiques religious leaders and their acolytes who use their faith “as a tool to control, manipulate, and enforce conformity.”

Unafraid to embrace what he calls “spicy language” (the F-word, for example, appears more than 20 times here), Blevins writes in a down-to-earth style that eschews the jargon of counseling and psychology. The guide’s emphasis on engaging readers, however, is balanced by a sound foundation in best practices in the field. With a master’s degree in clinical counseling and credentials in Critical Incident Stress Management, Blevins is a current Ph.D. student focused on trauma-informed care. He blends examples not only from his career in mental health, but also as a former Virginia State Trooper who’s “seen humanity at its breaking point.” Stories of grieving families, chaotic crime scenes, and post-traumatic experiences of first responders provide real-life applications of the S.H.I.F.T. framework. And while the brash writing style is deliberately designed to appeal to readers skeptical of the traditional self-help genre, Blevins unnecessarily derides alternative forms of self-care. “I’m not here to hold your hand while you ‘align your energy’ and manifest good vibes,” Blevins notes. As such, the book takes a skeptical approach towards “toxic positivity with hollow affirmations” and approaches to self-improvement that include meditation, journaling, nature walks, and other “fairy tale version[s] of purpose.” While these dismissals of alternative healing practices may align with the book’s machismo tone, they seem gratuitously snarky and contradictory of the work’s emphasis on finding one’s own individual path toward fulfillment. For those looking for a no-frills, jargon-free, and often salty approach to self-help, this book’s S.H.I.F.T. framework offers a pragmatic approach to applying research-tested mental health advice to one’s daily life.

A concrete, even coarse, approach to self-empowerment and personal fulfillment.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: April 3, 2025

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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