A pulse-pounding thrill ride for retro-horror fans who are not faint of heart (or stomach).
A group of teens find themselves under siege by killer clowns in a tiny Midwestern town.
Moving from Philadelphia to tiny Kettle Springs, Missouri, wasn’t high school senior Quinn Maybrook’s idea of a fresh start after her mother’s death. After the town’s only doctor abruptly quit, Quinn’s ER doctor father, Glenn, took over his practice, a deal that included the deed to his rickety old house right next to a cornfield and the shuttered Baypen corn syrup factory, complete with a creepy mural of Frendo the clown, who also serves as the town mascot. Quinn notes the town’s dated feel and the palpable tension between teens and adults, which is especially stark at Kettle Springs High. Quinn meets cool kids Cole Hill, whose father owns Baypen, and Janet Murray, who loves to stir things up. When Quinn joins them at a party in a remote cornfield, the fun turns to terror: A murderous army of Frendos armed with crossbows crashes the party. Cesare’s twisty prose and believable, easy-to-root-for characters makes this blood-drenched tale of extreme societal unrest disturbingly plausible. Dark humor peppers this clever homage to retro-horror classics, and Cesare barely lets up on the gas once the bloodletting begins. Most main characters, except Janet, who is described as generically Asian, seem to be white.
A pulse-pounding thrill ride for retro-horror fans who are not faint of heart (or stomach). (Horror. 14-adult)Pub Date: Aug. 25, 2020
ISBN: 978-0-06-285459-9
Page Count: 352
Publisher: HarperTeen
Review Posted Online: May 31, 2020
Kirkus Reviews Issue: June 15, 2020
BOOK TO SCREEN
Feeney improves on her debut with a taut suspense plot, many gleeful twists and turns, and suspects galore.
A news presenter and a police detective are brought together by murders in the British village where they both grew up.
There is precious little that can be revealed about the plot of Feeney’s third novel without spoilers, as the author has woven surprises and plot twists and suspicious linkages into nearly every one of her brief, first-person chapters, written in three alternating narrative voices. “Hers” is Anna Andrews, a wannabe anchor on a BBC news program whose lucky break comes when the body of one of her school friends is found brutally murdered in their hometown, a woodsy little spot called Blackdown. “His” is DCI Jack Harper, head of the Major Crime Team in Blackdown, where major crimes were rather few until now. The third is unnamed but clearly the killer’s. Happily, none of the three is an unreliable narrator—good thing because plenty of people are sick of that—but none is exactly 100% forthcoming either. Which only makes sense, because you can't have reveals without secrets. In a small town like Blackdown, everybody knows everybody, so it’s not too surprising that Anna and Jack have a tragic past or that each has connections to all the victims and suspects while not being totally free from suspicion themselves. Who is that sneaky third narrator? On the way to figuring that out, expect high school mean girls, teen lesbian action, mutilated corpses, nasty things happening to kittens, and—as seems de rigueur in British thrillers—plenty of drinking and wisecracks, sometimes in tandem. “Sadly, my sister has the same taste in wine as she does in men; too cheap, too young, and headache-inducing.”
Feeney improves on her debut with a taut suspense plot, many gleeful twists and turns, and suspects galore.Pub Date: July 28, 2020
ISBN: 978-1-250-26608-8
Page Count: 320
Publisher: Flatiron Books
Review Posted Online: May 3, 2020
Kirkus Reviews Issue: May 15, 2020
BOOK TO SCREEN
A captivating novel.
On the cusp of motherhood, a woman faces peril.
Annie is 37 weeks pregnant, shopping for a crib at IKEA, when suddenly she feels a terrible jolt, “a wave underneath me,” she thinks, “lifting me up.” An earthquake has hit Portland. In her assured debut novel, Pattee follows Annie through a horrific day: With wreckage all around her, she is intent on making her way to find her husband. She has miles to walk, it’s hot, she’s hungry and thirsty and afraid. She’s alone, and yet not alone, because she’s carrying a child, her precious Bean. “How did we get here, Bean?,” she asks. “You and me, IKEA, Monday morning, AISLE 8, BIN 31, hand on metal rack, eyes wide in fear, body tensed like a firecracker about to explode?” As she trudges across devastating landscapes—collapsed houses, bridges, and schools; supermarkets and convenience stores overrun by looters; bodies of the wounded and dead—Annie answers that question by beginning 17 years earlier, when she fell in love with Bean’s father, Dom, and they set out together to fulfill their dreams of becoming stars: she, a playwright; he, an actor. But Annie gave up writing, and Dom, while tirelessly auditioning, works at a cafe. Annie worries, as she walks, about their lack of money “to have a baby, much less feed a baby, much less house a baby, much less pay somebody to watch said baby.” She worries that they’ll never be able to afford a home of their own, with real estate prices ballooning. She worries about her ability for mothering, for being a “lifelong cheerleader” for her husband, and about realizing their dashed dreams. Recounting Annie’s precarious journey across the city and into her past, Pattee reveals that the quake has upended more than the earth.
A captivating novel.Pub Date: March 25, 2025
ISBN: 9781668055472
Page Count: 240
Publisher: Marysue Rucci Books
Review Posted Online: March 8, 2025
Kirkus Reviews Issue: April 1, 2025
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