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PEEPER AND ZEEP

From the I Like To Read series

A sweet story that’s not without its narrative gaps.

In this picture book with an intentionally easy-to-read text, a bird and an extraterrestrial find friendship while far from home.

Peeper, a little brown bird, flutters across the page in an erratic path. Zeep, a purple space creature, soars alone in the vastness of dark blue space. Both fall to Earth, Peeper breaking his wing, Zeep breaking his spaceship. They lose themselves in the woods, then meet. Needing help to get to their respective homes, they seek out A. Frog, who resides in a green geodesic dome and appears to be an engineer or a scientist, judging by visual clues such as pencils, a drafting board, rulers, and tools. Frog’s stove is a Bunsen burner, and the window flower vases are lab flasks. Unfortunately, Frog is not immediately successful, catapults and jet-propulsion packs failing to get Peeper and Zeep where they need to go; a larger dome they work on together seems to be the solution. The ending, in which Peeper’s and Zeep’s families somehow find them and join them in the dome, is emotionally satisfying but logically less so. Gudeon’s cartoonish forms are constructed with thick outlines and flat, computer-generated pigment. Occasionally background objects and scenery appear as brush strokes of opaque paint and watercolor. Although the mostly one-syllable, four- to six-word sentences string together to form a story of trial and error, it is the visual narrative that really tells this story.

A sweet story that’s not without its narrative gaps. (Picture book/early reader. 3-6)

Pub Date: April 1, 2017

ISBN: 978-0-8234-3674-3

Page Count: 32

Publisher: Holiday House

Review Posted Online: Dec. 20, 2016

Kirkus Reviews Issue: Jan. 15, 2017

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LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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