Joining a growing array of coy, self-referential works, this one’s handsomely designed but a bit light on concept.
Lehrhaupt and Forsythe reverse an earlier premise, as the manic animals from Warning! Do Not Open This Book! (2013) return, now exhorting readers not to close the book.
A monkey with a lantern illuminating ink-black pages rejoices: “You opened the book. We’re saved!” Illustrating many of the terrible things that can happen when a book is closed, Forsythe produces an alligator in a cast, a toucan with a bandaged beak, and a frightened lemur peeking from a box. A battered banana is proffered as further evidence. Stalling readers from reaching the book’s end, the narrator offers to change the story. “We’ll write something with a hero and heroine. You’ll like it. It will be a good story!” Amusingly, the earth-toned, digitally composed illustrations depict a gorilla hunkered over a typewriter; strewn about are drafts whose only word is “banana.” More bribes (that banana, now half-eaten) naturally won’t deter readers from turning the pages. The panicky monkey laments: “One more page and… // THIS BOOK WILL BE // …CLOSED!” This anguished word winds up on the back cover, with small-print instructions: “You can fix this. Flip it over and….” The metafictive silliness will require the suspension of disbelief: if a closed book could hurt its characters, wouldn’t a page turn inflict some minor injury?
Joining a growing array of coy, self-referential works, this one’s handsomely designed but a bit light on concept. (Picture book. 4-8)Pub Date: Oct. 6, 2015
ISBN: 978-1-4424-5071-4
Page Count: 40
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: July 14, 2015
Kirkus Reviews Issue: Aug. 1, 2015
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This warm family story is a splendid showcase for the combined talents of Medina, a Pura Belpré award winner, and Dominguez,...
Abuela is coming to stay with Mia and her parents. But how will they communicate if Mia speaks little Spanish and Abuela, little English? Could it be that a parrot named Mango is the solution?
The measured, evocative text describes how Mia’s español is not good enough to tell Abuela the things a grandmother should know. And Abuela’s English is too poquito to tell Mia all the stories a granddaughter wants to hear. Mia sets out to teach her Abuela English. A red feather Abuela has brought with her to remind her of a wild parrot that roosted in her mango trees back home gives Mia an idea. She and her mother buy a parrot they name Mango. And as Abuela and Mia teach Mango, and each other, to speak both Spanish and English, their “mouths [fill] with things to say.” The accompanying illustrations are charmingly executed in ink, gouache, and marker, “with a sprinkling of digital magic.” They depict a cheery urban neighborhood and a comfortable, small apartment. Readers from multigenerational immigrant families will recognize the all-too-familiar language barrier. They will also cheer for the warm and loving relationship between Abuela and Mia, which is evident in both text and illustrations even as the characters struggle to understand each other. A Spanish-language edition, Mango, Abuela, y yo, gracefully translated by Teresa Mlawer, publishes simultaneously.
This warm family story is a splendid showcase for the combined talents of Medina, a Pura Belpré award winner, and Dominguez, an honoree. (Picture book. 4-7)Pub Date: Aug. 25, 2015
ISBN: 978-0-7636-6900-3
Page Count: 32
Publisher: Candlewick
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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