In the tradition of humorous metafictive offerings of the past, this celebration of chaos is a veritable festival of fun.
Debut author Lehrhaupt and New York Times Notable Children’s Book illustrator Forsythe (My Name Is Elizabeth!, 2011) team up for a laugh-out-loud romp through monkey-infested pages.
From the title and the endpapers’ warning signs (“I guess you don’t mind being mauled by mo___s”) to the opening pages’ admonishments not to venture further, the narrator repeatedly warns readers not to open this book. Those who do not heed these pleas release a troop of artistic monkeys that wreak havoc on the book itself. Nothing is safe from these wild invaders—not the art and not the text. When the narrator again urges readers to turn back, toucans join the fracas. Forsythe uses the same warm palette for the toucans as the monkeys, adding a nice continuity to an otherwise strange addition that slows down this well-paced story. Before the toucans can do much, an alligator shows up, frightening everyone. With chaos reigning supreme, the narrator turns to readers for help in laying out a plan to snare the animals inside the book. Forsythe’s digitally rendered art is hilariously expressive and laugh-worthy in its own right, and it is well-paired with Lehrhaupt’s spare comic text, successfully creating a book that is enjoyable both to read and behold.
In the tradition of humorous metafictive offerings of the past, this celebration of chaos is a veritable festival of fun. (Picture book. 3-7)Pub Date: Aug. 27, 2013
ISBN: 978-1-4424-3582-7
Page Count: 40
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: July 1, 2013
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
No laugh track required: This story should generate genuine giggles.
Saturday Night Live mainstay Thompson makes his picture-book debut with the tale of a young rabbit who discovers that being the class clown is harder than it looks.
To make a splash on his first day of school, Bunny decides to adopt a new persona: Funny Bunny. He performs his act for his classmates, who are a tough audience…or is the material the problem? (Sample joke: “What town does milk come from? Milk-waukee!”) Actually, Bunny wins over one classmate: Hedgehog thinks Bunny has comedy chops and just needs practice. This gives Bunny an idea: Why don’t they work together? (Thompson’s co-author knows something about collaborating on jokes: Tucker has been an SNL writer for two decades.) Bunny and Hedgehog’s writing sessions are fruitful, and when Bunny tries out his new material on his classmates, he brings down the house. Clearly, teamwork and persistence pay off in this silly yet heartening tale, although laughs aren’t Bunny’s only reward. In Hedgehog he has found a friend (and, from the looks of things, perhaps a manager). The book’s jokes, including two pages’ worth that conclude the story, will be manna for punsters, who presumably aren’t supposed to notice that there’s no qualitative difference between the jokes that amused Bunny’s class and the ones that bombed. Neal’s appealing digital art focuses heavily on reaction shots from an all-animal cast living in a world of amusement park colors.
No laugh track required: This story should generate genuine giggles. (Picture book. 3-6)Pub Date: Jan. 13, 2026
ISBN: 9781250364814
Page Count: 40
Publisher: Feiwel & Friends
Review Posted Online: Nov. 2, 2025
Kirkus Reviews Issue: Dec. 15, 2025
SEEN & HEARD
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
